Lesson 12 of 16Acoustic GuitarIntermediate

When The Saints Go Marching In (lesson)

In this lesson, Laurence Juber teaches you how to play the popular tune "When The Saints Go Marching In" on the acoustic guitar in DADGAD tuning.
Part of the courseUnderstanding DADGAD16 lessons (1h 6m)

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What's in the course

16 lessons (1h 6m) · 1 free
    • 01. A few comments on tuning & theory

      Free lesson

      6:11

    • 02. Amazing Grace (lesson)

      10:51

    • 03. Amazing Grace (performance)

      1:19

    • 04. Greensleeves (lesson)

      8:36

    • 05. Greensleeves (performance)

      1:12

    • 06. Shebeg & Shemore (lesson)

      6:53

    • 07. Shebeg & Shemore (performance)

      1:54

    • 08. Wayfaring Stranger (lesson)

      7:35

    • 09. Wayfaring Stranger (performance)

      2:36

    • 10. Shenandoah (lesson)

      5:34

    • 11. Shenandoah (performance)

      1:55

    • 12. When The Saints Go Marching In (lesson)

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      3:47

    • 13. When The Saints Go Marching In (performance)

      0:43

    • 14. Take Me Out To The Ballgame (lesson)

      4:14

    • 15. Take Me Out To The Ballgame (performance)

      1:26

    • 16. A few notes on the key of D Minor & sign-off

      1:40

Lesson transcript

When the Saints Go Marching In: A Music Lesson

Introduction

The first piece that I ever learned to play was "When the Saints Go Marching In." I learned it in the key of C, in standard tuning.

Tuning and Key

  • Key: C
  • Tuning: Standard

However, I later explored it in D, using DADGAD tuning. The melody fits nicely on both the top and bottom strings, allowing for some creative counterpoint.

Basic Melody

The basic melody is very straightforward, working within a narrow range of just a fifth.

Creating Counterpoint

What I'm going to do is spice it up with some counterpoint:

  1. Melody: Start with the basic melody.
  2. Echo: Follow with an echo of the melody.
  3. Bass Line: Continue the bass line down.
  4. Scale Movement: Walk down the scale, landing on an E instead of an A.

Chord Voicings

  • The melody note is the sixth of the chord.
  • Adding a seventh and a ninth underneath creates an A.
    • This is an A 13th shape that you may be familiar with.
  • Move it around for various chord sequences while keeping an alternate bass.

Transitioning Chords

Next, I'll move to a D ninth chord.

  • Notice that instead of playing the melody on the top string, I've transferred it for added depth.
  • Adding a seventh and the ninth gives us the D ninth voicing, transitioning to a G over B.

Bass Line Movement

  • The bass line moves down a half step to D over F sharp.
  • This creates a cycle of fifths movement.
  • It can be treated as either a D chord or an F sharp minor, but I prefer the DADGAD tuning approach.

Conclusion

  • The progression continues: E minor 7, A, and then to D.
  • It's a fun little arrangement!

Performance

Now, let me perform "When the Saints Go Marching In" for you.

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Meet your guru

Laurence Juber

Laurence Juber

Laurence Juber first became known as lead guitarist in Paul McCartney's band Wings. Since then he has built a career as a fingerstyle guitarist, composer and arranger, working largely in the DADGAD tuning that earned him the nickname 'the Duke of DADGAD'.

He has been voted Guitarist of the Year by readers of Fingerstyle Guitar Magazine and named among the top guitarists by Acoustic Guitar magazine, alongside a long list of solo albums and worldwide touring.

In his courses he teaches his fingerstyle technique and the DADGAD tuning he's known for, how to arrange melody, harmony and bass together for solo guitar, and the pieces - like his signature 'Wooden Horses' - that bring it all together.

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