Lesson time: (4min 28sec)
Goetz Botzenhardt explains how to mix in 5.1 surround, placing dialogue, music and effects across all six speakers and using the sub wisely.
This lesson is part of the course Mixing for Film & TV score
Watch this lesson for free below.
Lesson transcript:
Okay, so I'm just going to quickly explain how to actually use the surround sound system.
Obviously, it's great fun to mix in surround because you don't just have two speakers to play with; you have six. This is really amazing because you can make sounds go round and effectively use the sub for extra effects.
Here are a few basic rules to keep in mind while mixing:
Space for Dialogue:
Center Speaker Usage:
Low-Frequency Effects (LFE):
Atmospheric Creation:
Main Music Focus:
So, that's really all I've got to say about panning for now.
This concludes the panning chapter, which was quite short, much to your relief! Now, let's move on to the actual mixing.

In the early nineties, Goetz Botzenhardt trained at Swanyard Recording Studios, assisting top producers like Flood, Alan Moulder and Tom Lord-Alge, and cut his teeth recording and mixing the dance and Acid Jazz bands of the 90s - Incognito, Galliano, Soul II Soul and many others.At Swanyard he met Rollo Armstrong and the two quickly formed a creative partnership, leading to many big dance records and remixes and, soon after, to recording and mixing the first two acclaimed Faithless albums and Dido's multi-platinum 'No Angel'.Ranging across genres, he recorded and mixed the Sugababes' debut album 'One Touch', including their first hit 'Overload', and has mixed for The Cardigans, Bjork, The Cinematic Orchestra, Craig David, the Pet Shop Boys and Hikaru Utada, one of Japan's most successful artists.More recently he expanded into film and TV, working extensively with composers Christian Henson, Martin Phipps and Anne Nikitin, and mixing Daniel Pemberton's Golden Globe-nominated score for 'Steve Jobs', directed by Danny Boyle. Away from film he produced Tanita Tikaram's 'Closer to the People', mixed tracks for Sigala, Ella Eyre, Breton, Planet Funk and Tito Jackson, and in 2016 mixed Peabo Bryson's album with Jimmy Jam and Terry Lewis. A full list of his work is on his discography and filmography pages at goetz-botzenhardt.com.Goetz works from his own studio and mix room, built around an SSL E4044 console, Adam 5.1 surround monitoring, a 48-channel Pro Tools HDX system and choice outboard gear. In his courses he takes you inside that room to show how he mixes across two very different worlds: in Mixing for Film & TV Score, how he balances and shapes orchestral and hybrid scores to serve the picture; and in Mixing Commercial Pop Music, how he builds punchy, radio-ready pop mixes from the multitrack up. read more