Slam
Lesson time: (4min 45sec)
Tommy Webb enseña 'Slam', una pieza de banda de metal construida sobre acordes de quinta E5 y A5 con down-picking, mucha distorsión y un ritmo compacto.
Course preview
This lesson is part of the course Método de Guitarra: Indie y Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: "Slam" - Metal Inspired Piece
Introduction
The song we're looking at now is "Slam" from a metal inspired piece. This is going to be a lot of fun!
Technique
- We're going to use down plucking for the whole piece to achieve that really tight, aggressive sound.
- We want a distorted tone, so:
- Make sure your amp is on the distortion channel.
- Turn the gain really high.
- Use the bridge pickup to cut through the distortion for clarity while maintaining a heavy sound.
Song Structure
This song is heavily based on power chords, particularly in lines two and three.
Melody
To start off, we have a little melody that sounds sludgy and slow. We want that heavy sound coming through:
- Open E String:
- Ensure a good attack to let the distortion ring through clearly.
- Follow with:
- C: The third fret on the A string.
- B: The second fret.
- Play the third fret with your middle finger and the first fret with your first finger.
Rhythms
- We maintain the finger per fret method, simply shifting up one fret.
- The rhythms in Bar Two:
- A half note followed by two quarter notes.
- Sequence: Open A string, the third on the E string (G), back to that A string at the end.
First Two Bars
Here's a breakdown of the first two bars:
- E, C, B, open A, third on the E string (G), open A.
Bars Three and Four
- Bars three and four are similar to one and two:
- Bar three mirrors the first bar.
- There's a cool lick at the end of bar four to descend back to that E note.
- Play open A to the third fret on the E (G), finishing with open E.
- Use a nice firm touch for the half note E.
Line One Practice
Here's line one, which I'll take slowly so you can join in:
Count in: 1, 2, 3, 4.
- Palm Muting:
- When playing the open E string in bar one, make sure the E has stopped when you're playing the third fret on the A.
- Use your palm to mute the E string to avoid any crossover.
- This prevents a messy sound we want to avoid.
Lines Two and Three
- This part is the most fun in the song! We're playing power chords.
E5 Chord
- Play the E power chord five times (five quarter notes):
- 1, 2, 3, 4, 5
- Followed by three beats of rest and a quarter and half note.
A Power Chord
- In bars three and four, we do the same with an A power chord:
- Play the second fret on the D string with the Open A above.
- Count:
- 1, 2, 3, 4, 5, 4.
Line Three
- In line three:
- We have the same movement but with seven strums of each chord.
- Sequence: Six quarter notes and a half note to finish.
- Count:
- 1, 2, 3, 4, 5, 6, 7, 8.
Line Four
- Line four is the same as line one.
Practice Tips
- Take this song nice and slowly.
- Ensure you're only playing the strings indicated when playing power chords.
- Feel free to loop this song until you're comfortable before building up speed gradually.
Performance Note
- In this metal style, you can pick a bit harder to give the amp more power and distortion.
- Listen to the difference:
- If I go from soft to hard: the harder I pick, the more compressed the amp gets, creating that desired metal distorted sound.
Final Thoughts
- Slow it down, build up gradually, and let's give it a go with the backing track!
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




