Melodía con las notas si y do
Lesson time: (3min 45sec)
Tommy Webb enseña las notas si y do en la cuerda si e introduce la púa alterna para melodías indie más fluidas y rápidas.
Course preview
This lesson is part of the course Método de Guitarra: Indie y Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Indie Style Music Lesson
At this point in the course, we're really comfortable with reading notation and tab. We're looking for those new notes we've not played yet, starting with this line.
New Notes
- First Fret on the B String: This gives us the octave of C as well as the open B string.
- We've played this before when we learned the names of the strings:
- Eddie Ate Donuts
- Good Boy Eddies
The fifth string, or the second from the floor, is our B string.
We can test the C octave by playing:
- First Fret on the B String (C)
- Third Fret on the A String (C)
These are the two Cs we now know. You can hear they are the same note, just in different ranges.
Half Notes
Starting off, we have our half notes to play.
- First fret with our first finger on the B string: This gives us C
- Followed by open B.
Counting:
- 1, 2, 3, 4.
Alternate Picking
Moving on, we're picking up some speed.
What we're going to try and do is use alternate picking to play this:
- First fret on the B string to open B (C to B).
- Then, second fret on the G string to open G.
Since the notes are moving quickly, we will use alternate picking.
Technique
- Alternate picking involves going down and up with the pick.
- Key: Small movements.
- You don't want the pick to come too far away from the guitar.
To practice, take just the open high E string and play:
- Down and up, up, down, up, down, up.
Pause here and try that for a few minutes, getting comfortable with that motion of down and up.
Wrist Movement
It's all about the wrist. We're not trying to move our thumb or our whole arm; it's all in the wrist. Alternate picking allows us to play twice the speed we normally would, letting us play a lot faster phrases.
When using alternate picking, we need to rest our arm somewhere so we're not floating and being inaccurate.
You can use:
- Pinky and ring finger to rest on the pick guard if needed.
- Or, as we did with our power chords before, rest our hand behind the saddles on the bridge.
You can even combine both to achieve a really solid movement.
Bar Three
Moving on to bar three, we're back to the concept we looked at‚ pop.
- Quarter Note On, Quarter Note Off:
- Second fret on the G string (A)
- Quarter note rest
- Open B string
- Quarter note rest
- Dotted half note on C (first fret of the B string, our new note), lasting for three beats.
I'll take you through that section with particular focus on bar two, where we're using alternate picking:
- Down on one
- Up on the open B
- Down on the second fret on the G
- Up on the G
Practice
Here we go, nice and slow:
1, 2, 3, 4.
2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
There's a lot of detail in that one line with alternate picking, the rests, and our new notes and fingerings.
Take some time to get comfortable with this, build up slowly, and I'll see you with the backing track in a second!
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




