Parka Life compases 5-8
Lesson time: (1min 57sec)
Course preview
This lesson is part of the course Método de Guitarra: Indie y Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Example Four: Parka Life
We're on to Example Four from Indy Part Two. In this lesson, we're learning a section from Parka Life, which we'll eventually cover towards the end of this course.
Overview
This is our first look at:
- Playing single notes
- Blending in open major chords
Chord Focus
The major chord we're using is C major, which we reviewed in the previous example. It comes in on the last bar, on beats three and four.
Preparation
The notes before the C major chord should be fairly comfortable to you by now. I think the rhythms are quite simple:
- No rests
- Frets are quite near each other
We should be quite comfortable with the previous three bars.
Specifics of Bar Four
In bar four, we see:
- Playing the first fret on the B string (which is also the only fretted note in that C chord).
How to Play
- Play that note, ensuring you're right up on your fingertips.
- Play the note for two beats, then strum down from the G string, holding it for a further two beats.
Note: This is the main thing we need to watch out for. Everything else is pretty standard for us.
Breaking It Down
Now we're getting to the level where we can read this and make good sense of it. Here's the breakdown:
-
Bar One:
- Open G string for two quarter notes
- First fret on the B string (C)
- Open B string again
- Suggested technique: Alternate picking (down, up, down, up)
-
Bar Two:
- Second fret on the G string (A note)
- Played twice as half notes (1, 2, 3, 4)
-
Bar Three:
- Open G followed by D on the B string (fret 3), and the open B.
-
Final Bar:
- Fret one on the B string (C) for two beats
- Then play the chord on top.
Key Points
- Up high on your fingertips so that the open E string can ring out.
Cool! I'll give you some time to work on that, especially the last bar, and then we'll give it a go for the track.
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




