Overload
Lesson time: (6min 11sec)
Toca Overload, una pieza para banda de rock construida sobre power chords (A5, D5, E5) y riffs, escrita para tocar en jam con bajo, batería o piano.
Course preview
This lesson is part of the course Método de Guitarra: Indie y Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Band Pieces
Introduction
Congratulations on getting through those six pieces! We've learned six full songs in six different styles of music.
The next three pieces we have for you are band pieces. If you know anyone learning from the Rock School method (piano, bass, or drums), try to get together and jam through these last three.
We'll be learning some more riffs, more songs, and putting our skills to the test. It's going to be a lot of fun and a great way to finish.
Let's get into it!
First Piece: Overload
The first of the band pieces we're learning is Overload. This is a rock-inspired tune, so make sure you:
- Put your amp on the distorted mode or turn the gain up.
- Use the bridge pickup by pushing the pickup selector all the way down or all the way to the right.
Intro to Overload
The song starts off with power chords: A5, D5, and E5. We've seen these before, and we'll play these using our first finger with the finger per fret method.
- A5 chord: Two quarter notes.
- D5 chord: Go straight down a set of strings.
- E5 chord: Jump over a set of strings to play the second fret on the A string.
This may take some time to get comfortable, so try going: D E, D E.
We're finishing off bar four with an A5 chord, lasting for two beats each (two half notes).
Practice the First Line
Let's give that first line a go:
Count:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, FOUR.
Line Two: Melody
In line two, we get into the melody. The rhythms aren't too difficult‚ quarter notes and half notes.
We're focusing on correct fingering:
- Start with the open A string
- Middle finger on fret three (C)
- D going to an E (D string, 2nd fret with the first finger)
- End with the open A string
Practice the First Two Bars of Line Two
Let's try it:
Count:
1, 2, 3, 4.
1, 2, 3, four.
1, 2, 3, FOUR.
In bar three, we start with a half note (E, 2nd fret on the D string).
Playing Sequence
- Open D to the 3rd fret on A string (C) with the middle finger.
Finishing off this line with an open D string going to E (2nd fret) and finally playing an open A. You'll notice this phrase is the same as bar two on line two.
Complete Line Two
Here's line two:
As always, pause the video, review any bars you need to, and when you feel confident, let's play it through together.
Count: 1, 2, 3, 4.
Line Three: Continuation of the Melody
On line three, we continue our melody:
- Bar one: Open A string twice going to G (3rd fret on the E string) and back to the A string.
- Bar two: Open A string and C (fret three on the A string), followed by open A again.
- Bars three and four: 2nd fret on the D string (E) for two beats, open D, then C (3rd fret on A string).
Finishing off this line with an open D string going to the 2nd fret (E) and ending with an open A. Again, this is the same phrase that finishes line two.
Practice Line Three Slowly
Here's line three really slowly to play together and get comfortable:
Count: 1, 2, 3, 4.
Line Four: Theme Continuation
Moving on to line four, the theme continues. The bottom line is similar to the first, with the final bar changing:
- Last Bar: A5 chord for one beat followed by a quarter note and a half note rest (three beats of silence).
Important Tips
- When playing power chords, ensure you only strum the notated strings (E and A).
- Avoid strumming unwanted open strings to keep the chord clear.
When you're plucking, look down to avoid playing any unwanted strings, and remember:
- The power comes from the amp and the overdrive, not from strumming harder.
Final Practice
When you've got those four lines comfortable, come and join me in the backing track, and we'll try to play this from start to finish.
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




