Represent compases 9-16
Lesson time: (4min 15sec)
Course preview
This lesson is part of the course Método de Guitarra: Indie y Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Guitar Stylistic Studies: Lesson Wrap-Up
We've made it to the end of our guitar stylistic studies. To finish off, we've got a section from the song "Represent," which we're going to learn eventually at the end of this course. This section blends the three chords we've learned so far: E minor, C, and G, as well as some single note playing with the use of a key signature, telling us we need to play an F sharp.
Chord Overview
Let's take a look at the chords:
-
E minor:
- Played with our second finger on the second fret.
-
C:
- Played with our first finger on the first fret.
-
G:
- Played with our third finger on the third fret of the E string.
I'll just play through those three chords, and I'd like you to pause the video and give this a go at your own speed:
- E minor with the middle finger
- C with your first finger
- G with your ring finger
Take a few minutes to pause this and get comfortable before we continue looking at the next section.
Rhythm Breakdown
In bar one, we have:
- E minor lasting for four beats (a whole note).
- Count: 2, 3, 4.
In bar two, we have:
- E minor again, but this time lasting for two beats (a half note) followed by a half note rest.
- Count: 1, 2, 3, 4.
To play that rest, we're going to use our palm to rest on the strings and kill the note. These are skills we've learned previously in the course, and we're just using them again to refresh our knowledge and ensure we've got them under our fingers.
In bar three, we have the same rhythm for C:
- A half note followed by a half note rest.
In bar four, again the same rhythms but with G.
If I play you that chord line, it's going to sound like this:
- 1, 2, 3, 4.
- 1, 2, 3, 4.
- 1, 2, 3, 4.
- 1, 2, 3, 4.
Again, pause this video and take as much time as you need to get those chords moving smoothly between each other.
Melody and Key Signature
Looking at the melody on line two, we see that we've got F sharp due to the key signature, which tells us to play our F and go up one fret or one semitone to play on the second fret.
With this section, we're going to use a finger per fret method again:
- Open E: We don't need a finger.
- G (fret 3): Using finger 3.
- F sharp (fret 2): Using finger 2.
You'll notice in bars 1, 2, and 3, we have a quarter note rest on beat 2. So that's going to be:
- 1, 2, 3, 4.
So let's try that bar one together:
- 1, 2, 3, 4.
In bar 2, we start off the same with our open E, but this time we're going down to D (fret 3 on our B string) using our third finger before returning to the open E to finish off this bar.
So bar two sounds like this:
Final Rhythm Practice
I'd like you to look at Bar 1 and Bar 3 and see what they have in common. You should notice they're exactly the same:
- E, G, F sharp.
To finish off, we've got our open E string followed by a quarter note and a half note rest.
If we add those up, we have:
- One plus two, which gives us three.
- So we have three beats worth of silence (rests): 2, 3, 4.
Let's try that second line together, and then I'll see you in the backing track to try and give it a go:
- 1, 2, 3, 4.
- 2, 2, 2, 2, 3, 4.
Take as long as you need to practice this, and I'll see you in the backing track to try and get it up to speed.
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




