Basic technique

James Barratt
James Barratt

Lesson time: (9min 11sec)

James Barratt covers the foundations of guitar hand position - fretting-hand pressure, placing your fingertip just behind the fret, and accurate right-hand picking.

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This lesson is part of the course Foundations of Rock Guitar Technique
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Lesson transcript:

Guitar Lesson: Hand Positions and Playing Techniques

Hey, guys!

In this lesson, I want to discuss some of the finer points of where we're going to put our hands and how we're going to use our fingers to play the guitar comfortably. Hopefully, this will get you on the path to learning quickly with minimal bad habits.

Left Hand Positioning

We've already talked about labeling our fingers on the left hand:

  • Thumb
  • First Finger
  • Second Finger
  • Third Finger
  • Fourth Finger

Finding the Best Place on the Fret

First, let's focus on finger positioning on the fret. For instance, on the third fret, there's a relatively large area compared to the size of my fingertip.

  • When asked to play the third fret on the bottom E string, you could technically place your finger anywhere within the 2-centimeter space.
  • Optimal Position: Right up against the metal of the third fret, not on top of it, but just on the other side. This position gives a nice clean tone.

If you place your finger too close to the back of the fret (closer to the second fret), you might hear buzzes and require much more pressure to achieve tone and sustain.

  • Dull Sound: Playing on top of the metal results in a dull sound, which we want to avoid.

Applying Pressure

Now, let's discuss the amount of pressure needed to make the guitar "sing."

When you're first learning, it can be tempting to apply a lot of pressure with your left hand. However, that's often unnecessary.

  1. Start with the Third Fret on the Bottom E String:
    • Rest your finger on the string without pressing down into the fretboard.
    • Gradually apply minimal pressure until you hear a clear note.

You don't need to dig in hard; even with minimal pressure, you can achieve a clean tone. As you push harder, the pitch will change.

  • Keep in mind that relaxation is key, and excessive pressure is detrimental. It can slow you down and hurt your fingers.

E Minor Pentatonic Scale Exercise

Let's take a look at the E minor pentatonic scale, a common scale in rock and blues. This will also help synchronize our left and right hands.

The Fingering

  1. Open String: Start with an open E.
  2. Second Finger: Fret the third fret on the E string.
  3. Move to the A String: Open A, then use your first finger for the second fret.
  4. Repeat for Remaining Strings: When you reach the B string, return to open and then fret the third finger on the third fret.

Practice Instructions

  • Start slow to maintain control over what you're doing.
  • Use your fingertips to ensure clean sounds.

Right Hand Technique

For your right hand, it's helpful to start with all downstrokes initially.

  • Position: Anchor your wrist to the bridge of the guitar. This lets your right hand pick out any string easily.

Practice the Scale

  • Play the scale with all downstrokes:
    • Open E...
    • (Continue with your picking pattern)

Right Hand Exercise: E Minor 7 Chord

Now, let's shift focus to the right hand while fretting an E minor 7 chord with your left hand.

Chord Position

  • Use your first finger to fret the second fret on the A string.
  • The left hand will perform a simple task so we can focus on the right hand.

Alternate Picking Pattern

  • We'll do a downstroke followed by an upstroke: Down, Down, Up, Down, Up, Down, Up.

Picking Pattern

  1. Play the E string.
  2. Skip to the D string.
  3. Back to the A string.
  4. Skip over to the G string, and so on.

This exercise creates a cool cascading sound and is excellent for developing your right hand's accuracy.

Conclusion

You can apply this picking pattern to any chord. Once you've practiced a few open chords, this becomes a great exercise to enhance your playing skills!

If you get started on this now, we'll move on to the next lesson shortly. Happy playing!

About the instructor

James Barratt
James Barratt

James has enjoyed a successful career as a full-time musician since graduating from the Academy of Contemporary Music in 2007. He has gone on to work with artists and producers from Stereophonics, Ronnie Dunn, Scissor Sisters and many more. He also composes music for television and film, such as Sony Walkman's 'Music Pieces' television commercial and the Albatross film trailer. He refers to himself as something of a purist, a musicians' musician if you will, and this approach to his artistry has sparked attention from big corporations and TV producers. James can be heard during shows such as 'Geordie Shore' and even in adverts for the British Heart Foundation, thanks to his natural versatility as an artist. As he puts it: "The best, and most frequent, compliment I get when on sessions for clients is that I play what's 'right' for the music. Often it's all down to simplicity." "James is the real deal. Great player, killer tone, and I wouldn't hesitate for a second recommending him for any project. Rock on James!" - Joey Sykes (Meredith Brooks / Will Champlin / The Babys) In Foundations of Rock Guitar Technique, James passes on exactly that philosophy, showing you how to build solid, musical rock guitar technique and play what's 'right' for the song. read more

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14 lessons (2h 12m)
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