Lesson 8 of 14GuitarBeginner

Bryan Adams - Run To You

James Barratt uses the riff from Bryan Adams' 'Run to You' to build your picking-hand technique, adding some left-hand position shifts along the way.

Part of the courseFoundations of Rock Guitar Technique14 lessons (2h 12m)

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James BarrattYour guruJames Barratt

What's in the course

14 lessons (2h 12m) · 1 free
    • 01. Tuning

      13:34

    • 02. Getting started

      Free lesson

      9:58

    • 03. Basic technique

      9:01

    • 04. Open chords

      6:24

    • 05. Chord progressions

      7:57

    • 06. Rhythm & the right hand

      11:56

    • 07. REM - Everybody Hurts

      9:01

    • 08. Bryan Adams - Run To You

      You are here

      3:23

    • 09. Palm muting

      3:16

    • 10. Legato

      8:47

    • 11. Michael Jackson - Beat It

      5:23

    • 12. Bending

      15:36

    • 13. Barre chords

      11:35

    • 14. Summary - AC/DC Back In Black

      16:56

Lesson transcript

Music Lesson: Riff from "Run to You" by Bryan Adams

Overview

Today, we're going to look at an excerpt from another song, really briefly. You may know this one, this is the riff from Run to You by Bryan Adams. It's another excellent exercise for your right hand, and we will also ask a little more of our left hand with some position shifts. We'll be slowly advancing what we're doing with our hands and what we're asking of them.


Introduction to the Riff

I'm going to briefly play you the riff. The original key for that is actually slightly higher. If you want to play along with the song, all you need to do is grab a capo, strap it across the second fret, and play exactly what I just played. For now, we don't need to have a capo; we can just practice it.

Left Hand Positioning

  1. First Finger Placement
    Take your first finger and place it on the second fret of the A string.

  2. Riff Strings
    This entire riff is based on the E, A, and D strings with our right hand, so we can kind of forget about the top three strings, we're not dealing with them at all.

Bar One

  • Count in 4/4
    That's bar number one. We're back in 4/4 here:

    • 1 and 2 and 3 and 4.
  • Adding the Second Finger
    For the start of the next bar, we're going to add our second finger. We kind of build the top half of a G chord there. We'll pick straight down the E, A, and D strings.

  1. Moving Up the Fretboard
    Next, we will take that shape and move it up two frets, so we are on five and four on the E and A strings now. We'll pick that pattern:

    • E, A, D, A, D.
  2. Repeating the Pattern
    Then we'll repeat it down. Use this string as a rail for your first finger, it never needs to leave the string. You can release the pressure off the fretboard for the position shifts, but it shouldn't actually come off the string. This is more efficient movement for your hands.


Picking Pattern

Let's take a closer look at the picking pattern. We have this:

  • Pattern Sequence
    • Down, down, up, down, down, up, up, down.

This pattern is mostly dictated by the direction of the next string that we're coming to. That's why we've chosen this picking pattern for that section.

Consistency

  • Same Picking Pattern
    Even though we're moving chords, the direction of the string stays the same.

Practice Tips

Good luck practicing that! Remember all the things we've talked about:

  • Try not to push down too hard with the left hand; keep it nice and relaxed.
  • Think about the minimal amount of pressure you can apply with your left hand fingertips.
  • Overall, keep the right hand on the bridge for accuracy, and make sure not too much pick is showing.

Good luck with those, and I'll see you in the next lesson!

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Meet your guru

James Barratt

James Barratt

James has enjoyed a successful career as a full-time musician since graduating from the Academy of Contemporary Music in 2007. He has gone on to work with artists and producers from Stereophonics, Ronnie Dunn, Scissor Sisters and many more. He also composes music for television and film, such as Sony Walkman's 'Music Pieces' television commercial and the Albatross film trailer.

He refers to himself as something of a purist, a musicians' musician if you will, and this approach to his artistry has sparked attention from big corporations and TV producers. James can be heard during shows such as 'Geordie Shore' and even in adverts for the British Heart Foundation, thanks to his natural versatility as an artist. As he puts it: "The best, and most frequent, compliment I get when on sessions for clients is that I play what's 'right' for the music. Often it's all down to simplicity."

"James is the real deal. Great player, killer tone, and I wouldn't hesitate for a second recommending him for any project. Rock on James!" - Joey Sykes (Meredith Brooks / Will Champlin / The Babys)

In Foundations of Rock Guitar Technique, James passes on exactly that philosophy, showing you how to build solid, musical rock guitar technique and play what's 'right' for the song.

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