Finding the relative minor
With
Ollie WestonOllie Weston shows how to find the relative minor of any major key using the Aeolian mode (C major to A minor), the first step towards a minor II-V-I.
What's in the course
47 lessons (1h 47m) · 1 free
01. The V-I 'Perfect' cadence
3:28
02. Dominant 7 - Cycle of 5ths exercise
1:24
03. Dominant 7 - Cycle of 5ths using 3rs and 7ths
2:16
04. Rhythmic variations using 3rds and 7ths
2:02
05. "Rhythm Changes" using Dominant 7ths and Cycle of 5ths
1:08
06. The II-V-I progression
1:20
07. II-V-I licks in the style of Parker, Coltrane, Adderley
Free lesson4:15
08. Dancing With Duke (II-V-I exercise) - Introduction
1:15
09. Dancing With Duke (II-V-I exercise) - Performance
4:38
10. II-V-I progression conclusion
0:42
01. Finding the relative minor
You are here1:41
02. Using the Harmonic Minor over the V chord
1:15
03. V-I in A Minor with a b9
4:38
04. Minor V-I in all 12 keys exercise
1:43
05. Phrase for practising minor cadences
1:17
06. Minor II-V-I in a chord sequence
5:04
07. Adding the II chord
1:20
08. Autumn Sun - Introduction and Harmony
3:03
09. Autumn Sun Performance
4:44
01. Introduction to Standards
0:52
02. Among the Stars Introduction
3:54
03. Among the Stars Performance
4:23
04. Undying Love - Expanding a chord sequence
4:42
05. Undying Love - Performance
1:12
06. Undying love - Checkpoint
0:47
07. Take the Express Train - The Turnaround
3:21
08. Melodic line examples for turnarounds
1:22
09. Take the Express Train - Introduction
1:28
10. Take the Express Train - Performance
1:12
11. Take The Express Train - Summary
0:39
01. Introduction to Bebop
1:04
02. 52nd Street Blues - Introduction and Head
0:29
03. 52nd Street Blues - Head using I-IV-V progression
0:45
04. 52nd Street Blues - Adding Chromaticism
2:53
05. Adding Jazz Harmony to the Blues
2:39
06. 52nd Street Blues - Head with II-V-I changes
1:05
07. 52nd Street Blues - Performance
3:01
Lesson transcript
Minor Cadences and 2-5-1 Progressions
In this lesson, we're going to look at minor cadences and then develop that into a minor 2-5-1, in exactly the same way as we've done with major keys. The principles are exactly the same:
- The idea of a V chord, a dominant chord, creates a sense of expectation and tension.
- This tension is then released to a I chord for a sort of satisfying musical full stop.
Finding the Minor Key
To find a minor key, I want to show you the relationship between a major scale and the relative minor.
- Example: C Major to A Minor
- If we consider C major as our major key, to find the relative minor, we look for the sixth mode, the Aeolian mode.
- Starting from C: C, D, E, F, G leads us up to A minor.
The Aeolian Mode
If I play a C major scale, then play exactly the same thing but starting on an A, I get my Aeolian mode:
- A nice chord of A minor seven will be used as my one for the minor cadence.
Variations in the Minor Scale
The minor scale differs a little bit from the major in that it has more variations.
When we studied the modes, we encountered:
- Dorian mode
- Aeolian mode
- Phrygian mode
All of these can be referred to as minor. You may have also learned melodic and harmonic minor scales in classical music beforehand.
47 lessons
1h 47m of structured video lessons
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Meet your guru
Meet your guru
Since graduating from the Leeds College of Music (BA Hons) and the Guildhall School of Music (Post Graduate Diploma in Performance), Ollie has built a busy and varied career in music. As a saxophonist he has performed in live and studio settings with artists as diverse as Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, the London Jazz Orchestra, the Hackney Colliery Band, the Ambient Jazz Ensemble and the Nelson Riddle Orchestra. He is also the co-leader of the jazz quartet 'Time Is Of The Essence', and composes and arranges material for this and other ensembles.
Ollie is active in music education, currently as course leader for the jazz department at the Guildhall School of Music and Drama (junior school), where he runs jazz ensembles, big band and theory classes. He has written a series of 'Exploring Jazz' books for Schott Music that are published worldwide and feature on exam syllabuses in the UK. Ollie has also run workshops for Oxford University, Pro Corda Strings and BABSWE, as well as the Guildhall School of Music summer schools.
In his Exploring Jazz Saxophone courses, Ollie takes you from getting started right through to soloing confidently over songs and chord sequences, building the improvising skills that put a real jazz player's vocabulary at your fingertips.
