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Lesson time: (3min 12sec)
This lesson is part of the course Beginning Banjo with Avram Siegel
Watch a preview of the full course below.
Lesson transcript:
The first thing we'll talk about is just how to hold your right hand.
People usually get in trouble by setting their hands so they can see their picks. This goes for both hands.
"Your hand should have just about an angle like this to it."
I think of having the strings in my hands, and your hand should have a nice round shape to it.
All the legends of the five-string banjo play that way, and it seems to work the best.
What happens with most people is:
At first, you just need to do what you can to play the strings. Hit the right string.
But later, you want to try and get your hand into this round shape.
"It's not something that you'll be able to do right off the bat, but it's something to keep in mind."
So, that's a little bit about the right hand. Place it pretty close to the bridge, not too far up here for just basic playing.
Sometimes you might want to play up here to get certain effects and nice sounds up the neck.
By and large, we want our hand down by the bridge, but don't grab onto the bridge. That's something to watch out for.
Let's just try playing some single notes with our thumb.
That's basically the deal.
The index will be playing mostly on the second string and the third string.
This is all pretty rudimentary for people who have already played some on the banjo, as is a lot of things we'll be talking about here.
But it's good to think about it anyway, and you might find some new information.
With the left hand, you're going to place your fingers just behind the fret, really close to the fret without placing your fingers at all.
That's basically how a stringed instrument works in general.

Avram Siegel is a banjo player and a mainstay of the California bluegrass scene. He has played with the Kathy Kallick Band and True Blue, among many others, and has taught for decades - his step-by-step method has turned out some of the state's most respected young players. In his courses he breaks down three-finger Scruggs rolls, backup and melodic playing so you can build clean timing and tone at your own pace. read more