Lesson 19 of 21PianoBeginner

Umbra Bella (Walkthrough)

4:14

Talia Girton walks through the Grade 1 piece Umbra Bella, covering the left-hand thirds and fourths, the repeating right-hand melody and its key of F major.

Part of the coursePiano Foundations: Harmony & Performance21 lessons (0h 42m)

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What's in the course

21 lessons (0h 42m) · 1 free
    • 01. New Scale C Major

      3:16

    • 02. New Scale A Natural Minor

      1:12

    • 03. Rockin Out (Walkthrough)

      3:31

    • 04. Rockin Out (Performance)

      1:41

    • 05. Umbra Bella (Walkthrough)

      You are here

      4:14

    • 06. Umbra Bella (Performance)

      1:04

Lesson transcript

Final Piece: Umbra Brella

Congratulations! We're on the last piece of the course.

Overview

The next piece is a Grade 1 Rock School level song called Umbra Brella.

Left Hand

  • The left hand consists of:
    • Thirds and fourths played as whole notes.

Right Hand

  • The right hand features:
    • A melody that repeats itself twice throughout the piece.
    • A return in Bar 20 with a slightly different ending.

Key Signature

  • This piece is in the key of F major, which means that:
    • Every time you see a B, you need to play it as a B flat.

Technical Aspects

There's a fun new technical bit in this piece:

Spread Chord

  • Found in Bar 25.
  • Think of it as an extended broken chord.
  • Practice Tip: Start slowly and build your tempo as you gain confidence.
  • The spread chord is represented with a squiggly line from the treble clef down to the bass clef notes.

Accidentals

  • You'll notice many accidentals throughout the piece:
    • Accidentals refer to sharps and flats outside the key signature.
    • In F major, anything that's not a B flat is considered.
    • The most common accidental starting from the first bar is C.
    • Later, you will encounter E flat (EB) and what's called a natural symbol in Bar 19.
      • This symbol indicates that the accidental you played before (sharp or flat) will no longer be sharp or flat.

Finger Stretches

  • Pay careful attention to the last line, which includes:
    • Some big stretches for your fingers through an octave and even more.
    • Consider what fingers you use on each of these notes to ensure you can easily reach the higher pitches.

Practice Count

Let's have a look at what this sounds like.

I'll count to four:

  1. 2. 3. 4.
      1. Four.
      1. FOUR.
      1. four.
      1. FOUR.
    1. three. four.
    1. Three. four.
    1. three. Four.
    1. Three. Four.
    1. three. 4.
    1. Three. FOUR.
    1. Three. FOUR.
    1. Three. FOUR.
    1. Three. FOU.
    1. Three. 4.
    1. three. FOUR.
  2. One. two. three. four.
  3. One. two. three. four.
  4. One. two. three. three. four.
    1. two. three. FOUR.
    1. two. three. four.
    1. Two. Three. FOUR.
    1. two. Three. FOUR.
    1. two. three. FOUR.
    1. two. three. Four.
    1. two. Three. FOUR.
    1. two. three. FOUR. FOUR.
    1. two. Three. FOUR. FOUR.

Happy playing!

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Meet your guru

Talia Girton

Talia Girton

Talia Girton is a musician and HCPC-registered music therapist, and the founder of The Cycling Music Teachers. Her work brings together music therapy, counselling and education, and she tutors internationally on the music therapy training course at UDELAS in Panama as well as contributing to professional development with the European Piano Teachers Association (EPTA). On MusicGurus she teaches the Piano Method and Piano Foundations courses, guiding complete beginners from first steps through rhythm, both hands, theory and performance.

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