Full House (Walkthrough)

With
Talia GirtonTalia Girton walks through the performance piece 'Full House' in F major, working out the triplets and tied notes over a steady left-hand quarter-note beat.
What's in the course
21 lessons (0h 42m) · 1 freeLesson transcript
Next Performance Piece Overview
Let's look at the next performance piece. Full house.
Key Points to Focus On
- The first line is nice and easy.
- Most of your attention will need to focus on lines two and three.
- In lines two and three, think about the left hand quarter notes as your steady beat, like that metronome we were practicing with earlier. They will play 1, 2, 3, 4 throughout.
Important Elements to Remember
-
Triplets:
- Watch out for where the triplets come in. This will happen in:
- Bars 9
- Bar 11
- Watch out for where the triplets come in. This will happen in:
-
Dynamic Marks:
- Remember:
- Piano - means soft
- Forte - means loud
- Remember:
-
Tied Notes:
- Pay attention to the tied notes and hold those notes over instead of playing them again.
Rhythm Patterns
There's a rhythm pattern that repeats twice in the piece. It consists of:
- Three eighth notes followed by a triplet pattern.
This occurs in:
- Bar 8 to Bar 9
- Bar 9 to Bar 10
It will sound like this:
"1 and 2 and 3 and 4 and 1 and A."
That note is then tied and held. It happens again in the next bar:
"1 and 2 and 3 and 4 and 1 and A."
Trickiest Rhythm Part
- Watch out for those bits because that's the trickiest rhythm part of this piece.
Block Chords
You'll also notice that there are block chords throughout:
- Bass Clef:
- This occurs in the first line and again in the last line.
You might want to practice these triads to get them under your fingers.
- Try practicing them alone, then add them back with the treble clef notes.
Key Signature
Another thing to watch out for in this piece is that it's in the key of F major.
- Each time there's a B, play it as a B flat instead.
Practice Instructions
Let's give it a go. Start after a count of four:
"1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4 and 1 and 2 and 3 and 4."
Isolate Triplet Sections
- Be sure to isolate the places where you have the triplets as that's the new tricky rhythm.
- Remember, you can go into the interactive sheet music and loop that part to practice it repeatedly.
You can also slow it down and speed it up.
Let's Play
Let's see what this sounds like with the backing track.
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Meet your guru

Meet your guru
Talia Girton is a musician and HCPC-registered music therapist, and the founder of The Cycling Music Teachers. Her work brings together music therapy, counselling and education, and she tutors internationally on the music therapy training course at UDELAS in Panama as well as contributing to professional development with the European Piano Teachers Association (EPTA). On MusicGurus she teaches the Piano Method and Piano Foundations courses, guiding complete beginners from first steps through rhythm, both hands, theory and performance.

































