Question and Answer (analysis)

With
Kay CharltonWhat's in the course
16 lessons (0h 51m) · 1 free
01. Welcome to Are You Ready
1:17

02. I Can Play In Three (performance)
1:36

03. I Can Play In Three (analysis)
Free lesson3:16

04. How Many Bars in a Blues (performance)
1:40

05. How Many Bars in a Blues (analysis)
6:23

06. Lay Down The Bass (performance)
2:51

07. Lay Down The Bass (analysis)
5:01

08. Eastern Promise (performance)
2:23

09. Eastern Promise (analysis)
4:40

10. Are You Ready (performance)
2:32

11. Are You Ready (analysis)
5:49

12. Scale It (performance)
2:48

13. Scale It (analysis)
2:03

14. Question and Answer (performance)
2:52

15. Question and Answer (analysis)
You are here6:05

16. Congratulations on finishing the course!
0:40
Lesson transcript
Music Lesson: Asking Questions in Tune
This tune's all about asking questions and trying to get answers.
Introductory Notes
The long notes at the beginning can be thought of as the words:
- Why
- What
- Who
- Where
When you're playing these long notes, you can choose to play:
- A C
- An E
- A G
Whichever you're most comfortable with.
If you're playing in a class or with multiple people, you can share out the notes to create harmony. Remember, either C, E, or G works really well in the introduction section.
The Main Part of the Tune
When we reach the main part of the tune, known as the head, the first part is about asking a question.
-
Ask a Question
I'm going to ask a question... -
Give an Answer
...and then I'll provide an answer.
The pattern of C, E to G is a very well-known sequence called an arpeggio. Practice this pattern, as you might come across the word later on.
Question and Answer Dynamics
-
The question phrase goes up, creating an inquiry:
"What's happening?" -
The answer phrase comes down, resolving the inquiry.
Demonstration
Here's the question played slowly:
1, 2, 3.
Sounds unfinished, doesn't it? It needs something to follow.
Here's the answer:
Starting on that high note, G, where we just finished.
That sounds more finished, as we've landed on a low note.
- Use your tongue:
ta, ta, ta, ta, ta, ta, ta.
Follow the sound of the guitar at the beginning, it's quite heavy. Use lots of tongue to create a strong question and then ta, ta, ta, ta, ta, ta, ta.
Practice Long Notes
In this section, you can practice your long notes with backing tracks. There's a guide track with the trumpet, so feel free to play along with long notes, either C, E, or G, ta, ta. This will complement the question section.
Transition to the Second Part of the Tune
When you reach the second part of the tune, it changes slightly, and we go to an F.
New Questions
- What is the question?
I do not know.
What is the question?
No, I do not know.
Still don't know what the question is.
Slow Playthrough
Let's play that slowly, starting on an F.
- Lip's quite tight to start off.
- Take a good breath, supporting the note, and ensure you're standing up straight.
Here we go:
From F, 1, 2, 3.
Conclusion and Improvisation
This brings us back to the beginning. I'm going to ask a question, provide an answer, and then you have to say or shout, "What is the question? I don't know."
In the improvisation section for this tune, think about the dynamics between the question phrase and answer phrase.
Remember
This is the last tune in the course, so use all the notes we've learned:
- Low B
- C
- D
- E
- F
- G
- And if you can manage it, upper A as well.
Practice Session
I'll start off by giving you some questions, and you can provide the answers.
Remember:
- The question phrase will tend to go up.
- The answer phrase can come down and can also include elements from the question.
Here we go:
1, 2, 3, Your answer, 3, 4.
1, 2, 3, And my last question, 2, 3, 4.
Practice creating answers and questions. If you're doing this in class or with a friend, take turns making up the questions and answers.
Final Notes
Don't forget, C, E, and G work really well anywhere in this tune.
Now, I'm going to give you a few more questions, along with answers, to demonstrate the kind of improvisation you could do.
Here I go:
1, 2, 3, 4.
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Meet your guru

Meet your guru
Kay is a trumpet player, composer and teacher of brass and curriculum music, specialising in primary classroom teaching - KS2, First Access/WCET (whole-class ensemble teaching, where a class learns an instrument together) and teacher CPD (continuing professional development). She completed a Masters in Music Education - 'Teaching Musician' at Trinity Laban Conservatoire in 2018.
Kay plays trumpet with the Bollywood Brass Band, a 9-piece band of brass and drums whose 2017 CD Carnatic Connection was nominated for a Songlines Magazine 'World Music Award' and given a 5-star review in the London Evening Standard. Kay composes and arranges for the band and leads on their education work, founding the Bollywood Brass Academy in 2017.
Kay has presented her research into whole-class teaching at the Music Education Expo and the First Access Forum. She has designed and led CPD for LSO Discovery, Trinity College London, Music Education Solutions and the Bollywood Brass Band, and is an education consultant for Warwick Music.
Kay's book of beginner repertoire, 'Are You Ready?', is published by Warwick Music; in 2017 Kay was commissioned by Warwick Music and Music Education Solutions to compose songs for a new KS1 scheme of work for the pBuzz, which was nominated as 'Education Resource of 2018' by the 'Education Awards'.
Other publications include pieces for Trinity's Initial (2015/2018) and Grade 1 (2018) piano syllabus, Bollywood Blast! (Spartan Press) - a series of brass and wind tutor books with backing tracks in a Bollywood style - and Whole Class Bollywood Blast with David Rose (Bedford Music Hub), which is aimed at teachers of whole-class instrumental lessons and includes an Arts Award Discover programme.
Her MusicGurus courses bring that classroom experience straight to you: from your very first trumpet lesson through two sets of tunes for beginners, Kay sets out exactly what to play and how to play it.












