Comment jouer le solo

Paddy Milner
Paddy Milner

Lesson time: (7min 1sec)

Décortiquons la section de solo de Whole Lot Of Shakin' qui a une main gauche vraiment intéressante.

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This lesson is part of the course Joue du piano rock 'n' roll authentique
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Lesson transcript:

Jerry Lee's Solo on "Whole Lot of Shakin' Going On"

Cool! So let's dive into Jerry Lee's solo on "Whole Lot of Shakin' Going On." This is where he takes his attitude to a new level. It's a very cool solo that has some different ideas in it.

Overview of the Solo

I'll play you pretty much what Jerry Lee plays on the record, and then we'll break it down.

  • Starting Point: Taking it from chord 5 of the previous 12 bars and then going into the solo.

"Here we go. We're faking. There's a whole lot of going on!"

As you can hear, there are quite a lot of ideas that he uses in that solo. It's full of that classic rock and roll attitude.

Left Hand Technique

Changing Dynamics

Let's start by looking at the left hand:

  • He changes the left hand from the verses, increasing the intensity by doubling up.
  • Instead of playing quarter notes (crotchets), he's playing eighth notes (quavers).

This change introduces a different figuration. It has that major-minor thing, a characteristic of a lot of American music. It's heavier and grittier, which really lifts the music when he hits that solo.

Playing Style

  • He plays heavy for the first six bars, leading up to chord 4.
  • Then he does something unexpected that I hadn't really noticed as a kid.

"He does this kind of very unexpected left hand."

It's subtle but jumps up to the 10th. I'm not sure those are the exact notes, but it's pretty wild from those simple left hand parts.

  • This style might be more likely attributed to New Orleans music, like Jelly Roll Morton or other New Orleans players.

Moving Between Chords

Let's focus on how he transitions:

  • Going from chord 4, you really need to get that rhythm down.
  • If not, it may lose momentum.

"It stops this very kind of driving left hand to play something a little more melodic."

Unique Influence

That melodic choice is so hip! I haven't heard anyone else in the rock and roll world do something quite like that. In fact, I haven't really heard anyone pick out that left hand in this song.

One Take Wonder

While we're at it, remember this was just one take of "Whole Lot of Shakin'." Jerry Lee plays it differently every time.

  • If you listen to various live recordings over the years, you'll find he never plays these songs the same.

This is just a glimpse of one moment in time. In fact, I've heard they only had one take to record this song. Legend has it they had a little bit of tape left on the machine at Sun Studios and decided to go for it.

Drumming Choices

  • This single take may explain the slightly strange drum feel at the start of the piano solo.
  • Typically, a drum fill leads into the start of a section, not begins at the actual start.

"It almost sounds unexpected because your ear tunes into that drum fill as normally starting the section."

This adds excitement to the performance!

Conclusion

So, that's a little aside regarding Jerry Lee's approach to "Whole Lot of Shakin'." It's a fascinating blend of techniques and styles that showcases his unique musical voice.

About the instructor

Paddy Milner
Paddy Milner

Paddy Milner est reconnu comme l'un des meilleurs pianistes de blues au monde : il est actuellement le claviériste attitré de Sir Tom Jones, après plusieurs années aux côtés du grand et regretté Jack Bruce, mais c'est aussi un superbe auteur-compositeur original et un chanteur au timbre singulier. Il suffit de lire les éloges de personnalités comme Dave Brubeck ci-dessous ! Son jeu figure sur la bande originale du film à succès 'Rocketman' (2019). Il a remporté à deux reprises le prix du Meilleur claviériste aux British Blues Awards et occupe de longue date une résidence en tant que membre fondateur du Ronnie Scott's Blues Explosion au club mondialement réputé Ronnie Scott's. Son groupe actuel LONDONOLA joue une musique britannique maison teintée d'une bonne dose d'esprit de La Nouvelle-Orléans, et son projet collectif JAWBONE va de succès en succès depuis la sortie de son premier album éponyme. « J'adore... voilà un gars qui sait vraiment jouer du piano » - Dave Brubeck « Je le recommande vivement. D'une certaine manière, tout se met à aller beaucoup mieux ! » - Jack Bruce « Le meilleur pianiste de blues d'Europe... » - Blues Access, USA « Impressionnant et original » - The Times « Éblouissant » - The Independent Au fil de ses cours, Paddy décortique l'authentique shuffle de blues, le slow blues, le boogie-woogie, le rock 'n' roll et le piano de La Nouvelle-Orléans - jusqu'à trois grands classiques du boogie-woogie - pour que vous appreniez ces styles auprès de l'un des tout meilleurs du métier. read more

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