Plein d'idées de piano rock'n'roll
Lesson time: (0min 0sec)
Paddy Milner décortique les licks de piano rock'n'roll qu'il vient de jouer, des traits rapides façon Johnny Johnson à un ornement en triade à la Jerry Lee Lewis sur lequel tu peux t'appuyer.
Course preview
This lesson is part of the course Joue du piano rock 'n' roll authentique
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Lesson transcript:
Music Lesson
All right, so there are a few ideas in there. I'll try and remember some of them.
Key of G
We've looked at a bunch of them already. Things like:
- That thing, which is in the key of G this time
- There are also things like this, which we've also looked at
Fast Riffs and Johnny Johnson
There's some other things, though. There's this thing which sped up, and that's something very much that Johnny Johnson would have used. He was very good at playing those things very quickly.
"If you listen to some of his Chuck Berry records, there's often some of that really high, fast, kind of tinkling piano going on."
These are the kinds of things that, again, are variations on a cool kind of riff to bring out. I was doing a lot of those, those kind of rundowns.
Dissonance and Variations
I sometimes use variations on that which just adds that sort of dissonant crunch, which I quite dig. And then what else is there? Sometimes maybe come down in thirds as well, doing lots of those kinds of things.
Jerry Lee Lewis Boogie
Now, here's a nice little idea which I know Jerry Lee uses on "Lewis Boogie." I'm not sure I played that in the little demonstration, but it's based on the embellishment of a triad. It goes something like this:
- It's just a nice little thing, revolving around a G triad.
- You can kind of do it in any order.
You could:
- Maybe extend it up to the seventh
- Play around with that
It's a nice little lick. Maybe start it with the G with the fifth at the bottom, something like that.
Melodic Variations
Those things could lead to slightly more melodic ideas. Maybe you could do a little melody like:
- Add some fatter voicings
So, there's another little idea for you there. You could do a little rolling idea, sort of leading to chord four.
"It's quite a nice little effect."
Now, I'm just going down a sixth chord leading to chord four.
Summary
Yeah, there's another little idea for you!
About the instructor

Paddy Milner est reconnu comme l'un des meilleurs pianistes de blues au monde : il est actuellement le claviériste attitré de Sir Tom Jones, après plusieurs années aux côtés du grand et regretté Jack Bruce, mais c'est aussi un superbe auteur-compositeur original et un chanteur au timbre singulier. Il suffit de lire les éloges de personnalités comme Dave Brubeck ci-dessous ! Son jeu figure sur la bande originale du film à succès 'Rocketman' (2019). Il a remporté à deux reprises le prix du Meilleur claviériste aux British Blues Awards et occupe de longue date une résidence en tant que membre fondateur du Ronnie Scott's Blues Explosion au club mondialement réputé Ronnie Scott's. Son groupe actuel LONDONOLA joue une musique britannique maison teintée d'une bonne dose d'esprit de La Nouvelle-Orléans, et son projet collectif JAWBONE va de succès en succès depuis la sortie de son premier album éponyme. « J'adore... voilà un gars qui sait vraiment jouer du piano » - Dave Brubeck « Je le recommande vivement. D'une certaine manière, tout se met à aller beaucoup mieux ! » - Jack Bruce « Le meilleur pianiste de blues d'Europe... » - Blues Access, USA « Impressionnant et original » - The Times « Éblouissant » - The Independent Au fil de ses cours, Paddy décortique l'authentique shuffle de blues, le slow blues, le boogie-woogie, le rock 'n' roll et le piano de La Nouvelle-Orléans - jusqu'à trois grands classiques du boogie-woogie - pour que vous appreniez ces styles auprès de l'un des tout meilleurs du métier. read more




