Exploring Turnarounds in Blues Guitar

One of the other things you can do when it comes to the turnaround is to explore different styles. Instead of using the typical Jimmy Reed approach with the open A, consider trying a Lightning Hopkins method.

The B7 Chord with F Sharp

• Lightning Hopkins often played the B7 chord, incorporating the F sharp in that chord.
• This adds a unique texture, giving it a "meatier" sound rather than just playing the standard version.

So, when it comes to getting through the turnaround, you can play the B7 with the F sharp in the bass.

"I always think in terms of players and references."

Comparing Styles

• Jimmy Reed: Open A approach
• Lightning Hopkins: B7 with F sharp

I see the Lightning Hopkins version as a more substantial alternative to the Jimmy Reed style. You can pick and choose which one you want to use.

Staying True to Tradition

With this style of shuffle, like a Texas shuffle, be mindful:

• If you start incorporating anything too modern, it may not feel right.
• It's beneficial to be faithful to the old masters and the origins of the music.

Remember, sometimes a simpler approach is more effective:

"It's almost wrong, but it's so wrong that it's right."

The Influence of Old Masters

Even before plugging in, I recommend studying some of those old players. Listen to:

• How they play without a band
• Their approaches to turnarounds

This will deepen your understanding of the roots of the music and the influence they had on modern players.

The Use of Capos

Many old guitarists employed capos. Here's how it works:

• Whether they were playing in A or G, it often resembled playing in open E.
• Capos serve as a tool that allows for the big sound produced by open strings, particularly prominent on the acoustic guitar.

By embracing these techniques, you'll not only learn the music but also gain a more authentic sound.