Récapitulatif jusqu'ici - Armures et accords
Lesson time: (4min 13sec)
Darius résume les concepts clés vus jusqu'ici, à l'aide d'un ensemble de tableaux téléchargeables pour référence : Cycle des quartes / quintes, Accords - Triades et septièmes, et un guide des chiffrages d'accords
Course preview
This lesson is part of the course Harmony 101 - accéder rapidement à l'essentiel
Watch a preview of the full course below.
Lesson transcript:
Understanding the Cycle of Fourths and Fifths
Okay, here's the diagram we've provided for you. It shows the cycle of fourths and fifths.
The Cycle of Fourths
As you move around the cycle of fourths, that is, to the right, you get:
- C
- F
- B flat
- E flat
- A flat
- D flat
- G flat
You're moving in fourths, and with each new key, you add another flat. We will see that in a moment.
The Cycle of Fifths
Going around this diagram in the opposite direction, we have the cycle of fifths where you add sharps. The sequence is:
- C
- G
- D
- A
- E
- B
- F sharp
At each point, for instance, G has one sharp, then D has two sharps, and so on.
The Same Pitch
When we get to F sharp (or G flat), those are actually just two words for the same key on the piano, meaning the same pitch.
Key Signatures
This chart shows you the actual key signatures. You can see that every key maintains a constant relationship between its tonic note and all of the intervals in the key by adding flats and sharps.
Triads and Roman Numeral Notation
Here is a chart in three keys of triads. Underneath each triad is a Roman numeral. This notation describes chords in relation to the scale degree on which they are built:
- Small letters indicate minor
- Capital letters indicate major
Key of C Triads
The first line in the key of C goes:
- I (1)
- ii (2)
- iii (3)
- IV (4)
- V (5)
- vi (6)
- vii° (7)
And then it circles back to I again, allowing you to see which ones are major and minor.
To reinforce the concept of transposition, I've also provided it in F with one flat, and G with one sharp.
Triadic Intervals
Here's the same thing again, but with an added seventh:
- The triadic intervals are: 1, 3, 5.
- By skipping to the next odd number, we include 7.
Once again, this is presented in three keys, and you would really do well to practice this in every key. If you have a keyboard, this will really increase your facility faster than almost anything I can think of concerning being able to grab chords.
Chord Symbol Guide
Here is the chord symbol guide. There are even more ways of representing chords, but you can see:
- Simple abbreviations like major and minor
- Graphic signs like the circle, the circle with a line through it, and the plus triangle
These are all attempts to represent chords in the most compact way possible, so that it's easy to put them onto lead sheets.
Practical Advice
This material is pretty self-explanatory; however, it might be a good idea for you to print it out. Keep it to one side in case you're reading through some music that contains some of these symbols. This way, you'll become familiar with them and be able to refer to this guide easily.
About the instructor

Darius Brubeck est un pianiste de jazz et pédagogue reconnu. Il a publié de nombreux albums en tant que leader, tourné à l'international avec ses propres formations et collaboré avec ses frères sur Brubecks Play Brubeck. Darius a été professeur invité Fulbright en Roumanie et en Turquie. Il a créé le premier cursus diplômant en jazz proposé par une université africaine, à la University of KwaZulu-Natal en Afrique du Sud, où il a enseigné jusqu'en 2005. Darius collabore souvent avec Mike Rossi, saxophoniste et professeur de musique à la University of Cape Town. Parmi les réalisations de Mike figurent de nombreux enregistrements et apparitions sur les scènes internationales en tant que leader, soliste et sideman aux côtés de Tony Bennett, Dave Liebman, Winston Mankunku Ngozi, George Russell, Clark Terry et Alessio Menconi, entre autres. Avec Darius pour guide, tu iras droit à l'essentiel. Dans Harmony 101, il démystifie l'harmonie du jazz pour que tu puisses te l'approprier rapidement, et dans Mastering Odd Times, il explique comment jouer et improviser avec assurance dans des mesures inhabituelles. read more




