Versions rejetées

Paul Whalley
Paul Whalley

Lesson time: (4min 7sec)

Dans cette section, Paul te guide à travers les versions rejetées du morceau "Red", avec la chanteuse Emmi Green. Conseil clé à ce stade : prends ton temps, mène tes idées jusqu'au bout et n'aie pas peur de rejeter des versions.

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This lesson is part of the course Produis un morceau pop qui déchire
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Lesson transcript:

Music Lesson

Introduction to the Pre-Chorus

So, guys, in this version of the song, you'll notice there's a whole new section here called the pre-chorus that we didn't actually end up using in the song. I'm going to play a little bit of that now for you.

New Melody and Lyrics

  • Completely new melody
  • New lyrics for this section as well

The main reason we didn't end up using this is:

  • The pacing of the melody was pretty similar to the verse melody
  • It wasn't that interesting to listen to, it just felt like an extension of the section
  • The melody is quite jumpy, not that sing-along friendly
  • Overall, it wasn't too catchy

Other Parts That Didn't Make the Final Cut

There are a few other parts that never made the final cut:

  • Bass Guitar Part: Sonically, it didn't quite fit the core of the record.
  • String Parts: While they are very pretty, they took the song down a much more organic route, which I thought didn't really suit the song in the end.

But as you can see, it's a pretty fully thought out idea. There are:

  • Drums
  • Bass
  • All the pads
  • Guitar parts

So it's really... I've sort of seen it through and thought it all out.

The Clapping Idea

The main thing that came out of this, though, was actually the development of this clapping idea up here that we've talked about earlier.

Seeing this idea through enabled me to start finding the first of these parts that would really glue the record together and help it become a cohesive product in the end.

About the instructor

Paul Whalley
Paul Whalley

Paul Whalley est multi-instrumentiste, producteur et auteur-compositeur au son délibérément large. Il a passé des années sur la route comme musicien de studio en tournée avec des artistes tels que Mumford & Sons et Ellie Goulding. De formation classique, il est titulaire d'une licence en interprétation instrumentale et d'un Master en composition de la Guildhall School of Music. Depuis qu'il est passé de la tournée à la production et à l'écriture, il a travaillé avec des artistes comme NAO, Wretch 32 et Nina Nesbitt, et a joué sur des disques classés dans le top 40 partout dans le monde, dont 'Shout Out to My Ex' de Little Mix. Il est installé aux Tileyard Studios, dans le nord de Londres, où il écrit et produit pour de grands labels britanniques et développe de nouveaux artistes. Sur MusicGurus, lui et Emmi Green décortiquent un disque de pop à partir de zéro — chaque choix d'arrangement et de production mis à nu — pour les auteurs-compositeurs et les producteurs qui veulent entendre comment les tubes sont réellement construits. read more

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26 lessons (1h 42m)
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