Girl I Left Behind Me (analyse du solo)
Lesson time: (2min 33sec)
Chris Haigh décortique note par note un solo de violon sur 'The Girl I Left Behind Me', en couvrant les licks, les doigtés et une substitution diminuée qui le portent.
Course preview
This lesson is part of the course Introduction au fiddle country et bluegrass
Watch a preview of the full course below.
Lesson transcript:
Solo on "The Girl I Left Behind Me"
Okay, now we're going to look at a solo on The Girl I Left Behind Me, which is absolutely packed full of these kinds of licks.
Breakdown of the Solo
I need to go through it slowly first. So, we're going to start off with:
-
Similar Lick:
- Second finger over first finger.
- Moving from first position up a third to third position.
-
Diminished Substitution:
- This is a tricky fingering.
-
Transition to D7:
- Then we've got a lick that takes us to the D7.
Lick Details
And then we're into this lick, which is:
- Open E:
- With the first finger sliding down.
- Second finger over third finger.
This lick is taken from Johnny Gimble's Fiddling Around, which is a great tune in itself. So, that will take a bit of work.
- Next Pieces:
- The yodel.
- A syncopated chop.
So, that is a bit of a diminished going into C.
Altered Notes & Hemiola
-
Altered Notes:
- These are jazz elements, which I won't explain, but again, they are in my jazz violin book.
-
Hemiola:
- That's what we call a hemiola, which is a three-note phrase that crosses the bar lines.
-
Augmented Substitution:
- Second finger over first finger.
- Third over second.
- First over open.
- Two over one.
- Three over two.
This will take quite a bit of work to get that.
Practice Tips
I would spend quite a bit of time playing this slowly and then gradually get it up to speed so you can play it along with the backing track.
About the instructor

Chris Haigh est violoniste professionnel depuis 25 ans et possède une expérience dans de nombreux genres. Il a joué sur plus de 75 albums, aux côtés d'artistes comme Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway et Steps. Il a joué du swing et du jazz avec The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London et les Quecumbar Allstars, et dirige un ensemble de swing soviétique à sept musiciens, The Kremlinaires. Chris donne des cours et des ateliers sur la technique du violon jazz et a enseigné le violon jazz aux universités de Middlesex, Brunel et Newcastle ainsi qu'au Truro College. Parmi ses ouvrages figurent neuf livres consacrés au violon, dont The Fiddle Handbook. Il anime également Fiddling Around (fiddlingaround.co.uk), sans doute la source d'information sur le violon la plus complète et la plus consultée du web. read more




