Leçon 21 sur 22ViolonIntermediate

Capodastre de violon

3:59
Comment utiliser la technique du 'capodastre de violon' pour jouer dans différentes tonalités avec des chanteurs
Extrait du coursFiddle bluegrass et country moderne22 leçons (1h 51min)

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Chris HaighVotre guruChris Haigh

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22 leçons (1h 51min) · 1 gratuites
    • 01. Le Cajun rencontre le Country

      6:57

    • 02. Le double shuffle

      7:45

    • 03. Capodastre de violon

      Tu es ici

      3:59

    • 04. Country contemporain ; les deux genres de musique

      3:10

Transcription de la leçon

Fiddling in Challenging Keys

Early on in this course, we mentioned that to use open string drums and achieve the real old-time country sound, you need to play Rayleigh in the keys of G, D, or A.

Unfortunately, singers don't always prefer these keys. They may present songs in:

  • Ab
  • F#
  • G#

... or some other such monstrosity.

What's a Fiddler to Do?

You have two options:

  1. Retune your fiddle: This is preferably done down a semitone or a tone, allowing you to play in an easier key.
  2. Use the fiddle capo method: This technique does not involve applying anything to the fiddle itself; instead, it utilizes a specific playing technique.

The Fiddle Capo Method

Let's say we're in the key of F# major, which has six sharps and can seem daunting. Here's how to approach it:

  • Place your first finger on the root note (F#).
  • You're now in a sort of second position.
  • Along with F#, place that finger on the note above it, which is C#. This creates our "capo."

Playing the Scale

If you play the following sequence:

  • 1, 2, 3, 1, 2, 4

You will create the F# major pentatonic scale.

  • If you add the flattened third, you get the F# major blues scale.

Remarkably, by keeping your first finger across both strings, you can drone on those notes. You aren't confined to just one octave; there are certain notes below and above your capo, allowing for creative play.

Example with Drums

This technique produces a sound reminiscent of old-fashioned country music, even in a challenging key. I strongly recommend that when performing this with other band members or an audience, you find a subtle way to demonstrate that you're doing something difficult, all while making it appear effortless.

Remember, if no one knows you're playing in F#, they won't appreciate your cleverness.

Improvisation Exercise

Let's finish off with a little phrase demonstrating improvisation using this method.

Here we go ? slowly at first:

1, 2, 3, 4... and with the drone.

Your Assignment

For this lesson, your assignment is to:

  1. Use the F# backing track.
  2. Start with simple exercises.
  3. Progress to improvising over F#.

Try playing simple versions of:

  • Red River Valley
  • Yellow Rose of Texas
  • Banks of the Ohio

...in F and even in G#.

Happy fiddling!

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Chris Haigh

Chris Haigh

Chris Haigh est violoniste professionnel depuis 25 ans et possède une expérience dans de nombreux genres. Il a joué sur plus de 75 albums, aux côtés d'artistes comme Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway et Steps.

Il a joué du swing et du jazz avec The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London et les Quecumbar Allstars, et dirige un ensemble de swing soviétique à sept musiciens, The Kremlinaires.

Chris donne des cours et des ateliers sur la technique du violon jazz et a enseigné le violon jazz aux universités de Middlesex, Brunel et Newcastle ainsi qu'au Truro College. Parmi ses ouvrages figurent neuf livres consacrés au violon, dont The Fiddle Handbook.

Il anime également Fiddling Around (fiddlingaround.co.uk), sans doute la source d'information sur le violon la plus complète et la plus consultée du web.

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