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Le Cajun rencontre le Country

6:57

Chris Haigh retrace comment le violon cajun de Louisiane - à travers des musiciens comme Doug Kershaw et Michael Doucet - a trouvé sa place dans le son country.

Extrait du coursFiddle bluegrass et country moderne22 leçons (1h 51min)

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22 leçons (1h 51min) · 1 gratuites
    • 01. Le Cajun rencontre le Country

      Tu es ici

      6:57

    • 02. Le double shuffle

      7:45

    • 03. Capodastre de violon

      3:59

    • 04. Country contemporain ; les deux genres de musique

      3:10

Transcription de la leçon

Cajun Music Lesson

Cajun music is something that had been going on in Louisiana for a good long while before anyone else in the country actually noticed it.

History of Cajun Music

  • The Cajuns were French Canadians expelled by the evil Brits in 1755.
  • Many moved to the relatively unpopulated area of Louisiana, bringing their own music, which included a lot of fiddle music.
  • One of the early recording stars among Cajuns was Dennis McGee in the early 20th century.
  • Doug Kershaw, a fiddle player in the 50s and 60s, brought Louisiana Cajun music to a wider public with songs such as "Louisiana Man" and "Diggy Diggy Low."
    • He was known as a wild showman of a fiddler, always performing with his bow hairs hanging loose.

Notable Performers

  • Michael Doucet is one of the current successful and influential performers. He's a fiddle player from Lafayette.

Fusion with Country Music

From Doug Kershaw's time in the 50s and 60s, there's been a bit of fusion between Cajun music and mainstream country music. The fiddle finds a very easy way to make itself heard in this genre.

The Cajun Shuffle

  • There's a rhythm called the Cajun Shuffle, closely related to the Nashville Shuffle.
  • This lesson will focus on that.

Example in the Key of G

For the key of G, for example, we're going to do something like this:

  • This is based on the Nashville Shuffle.
  • We're alternating an accent on the up and down, but placing the accent on the third note.
  • This coincides with the rock rhythm that would come from drums.

Following the chords G, C, G, D, etc., we have something like this:

1, 2, 3, 4.

Adding an Open String Drone

Now, if we add an open string drone, we get this. Also, we can add some little movements between the different chords.

  • I haven't written all of those movements in or all of the drums, but it's quite flexible as to what you actually do.

Let's see what that sounds like with the backing.

Incorporating Slides

You can add some slides to enhance the authenticity:

  • Here the first finger is sliding up from an open A to a B.
  • You can slide your first finger up for your C or both fingers, giving it a more authentic Cajun sound.

Using Triplets

Another technique that sounds more authentic is triplets.

  • In this case, we've got a G drone while going D and say open 1, 2 on the way up to a C.
  • This variation makes it sound slightly more Cajun.

Note: The commercial country approach to Cajun is a gross oversimplification of what proper Cajun music actually sounds like, but this reflects elements you'll hear in country music.

The Cajun Kickoff

Finally, the Cajun kickoff is a very specific sound often found at the beginning of a Cajun song. It starts like this:

1, 2, 3, 4, 1.

  • It always comes after a half beat and has a kicking sound with some drums.

Assignment

To finish off, let's hear a Cajun kickoff followed by a mixture of these different shuffle techniques.

Your assignment for this lesson is to listen to:

  • Hank Williams' song "Jambalaya"
  • Mary Chapin Carpenter's "Down at the Twist and Shout," which features Michael Doucet and his band.

Try playing along with these two songs using a Cajun shuffle.

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Chris Haigh

Chris Haigh

Chris Haigh est violoniste professionnel depuis 25 ans et possède une expérience dans de nombreux genres. Il a joué sur plus de 75 albums, aux côtés d'artistes comme Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway et Steps.

Il a joué du swing et du jazz avec The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London et les Quecumbar Allstars, et dirige un ensemble de swing soviétique à sept musiciens, The Kremlinaires.

Chris donne des cours et des ateliers sur la technique du violon jazz et a enseigné le violon jazz aux universités de Middlesex, Brunel et Newcastle ainsi qu'au Truro College. Parmi ses ouvrages figurent neuf livres consacrés au violon, dont The Fiddle Handbook.

Il anime également Fiddling Around (fiddlingaround.co.uk), sans doute la source d'information sur le violon la plus complète et la plus consultée du web.

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