Push It (Décryptage)

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Talia GirtonLe contenu du cours
23 leçons (0h 33min) · 1 gratuites
01. Que sont les notes liées
Leçon gratuite1:03

02. Exercice 1 de notes liées
1:00

03. Exercice de notes liées 1 (interprétation)
1:23

04. Exercice de notes liées 2
1:09

05. Exercice de notes liées 2 (interprétation)
1:03

06. Que sont les croches
1:25

07. Jeu rythmique sur les croches
1:48

08. Exercice de croches 1
1:56

09. Exercice de croches 1 (Interprétation)
1:21

10. Exercice de croches 2
1:31

11. Exercice de croches 2 (Interprétation)
1:05
Transcription de la leçon
Performance Piece Introduction
Let's have a look at our first performance piece, which will feature both syncopation and eighth notes. You might have noticed a pattern that we've been using in the previous two exercises, and this pattern appears here as well.
Pattern Recognition
-
First Line of the Piece:
- The pattern follows the count: 1 and 2 and 3 and 4.
-
Second System:
- There will be a different pattern.
- Bars five to seven still start with a quarter rest followed by an eighth rest.
- So, you'll count to yourself: 1 and 2.
Important Notes
- Be Cautious:
- The penultimate bar (the second to last bar) really sneaks up on you.
- You'll be moving from playing the melody in the right hand to looking down at the bass clef in the left hand to finish the piece.
Sound Check
Let's have a look at how that sounds.
-
Setup:
- Start with our five-finger position in the left hand on A.
- Get your three-finger in the right hand on E.
-
Ready to Play the Second System: After a count of four:
- Count:
- 1 and 2 and 3 and 4 and
- 1 and 2 and 3 and 4
- 1 and 2 and 3 and 4 dot and
- 1 and 2 and 3 and 4
- 1 and 2 and 3 and 4
- 1 and 2 and 3 and 4
- 1 and 2 and 3 and 4
- 1 and 2 and 3 and 4
- Count:
Putting It All Together
This is the first time that we're putting the hands together in that second line of music.
- Components:
- You'll have a lovely melody in the right hand and the bass line in the left hand for a nice groove.
- I love how that sounds!
Practice Tips
- Remember to isolate the hands first and play them separately before playing them together.
- Practice this over and over again slowly and with counts.
When you're ready, we'll try it with a backing track.
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Talia Girton est musicienne et musicothérapeute agréée par le HCPC, et fondatrice de The Cycling Music Teachers. Son travail réunit la musicothérapie, l'accompagnement et l'éducation, et elle enseigne à l'international dans le cadre de la formation en musicothérapie de l'UDELAS au Panama, tout en contribuant au développement professionnel avec l'European Piano Teachers Association (EPTA). Sur MusicGurus, elle enseigne les cours Piano Method et Piano Foundations, guidant les débutants complets depuis les premiers pas à travers le rythme, les deux mains, la théorie et l'interprétation.
























