Fight No More: introducción y parte de guitarra rítmica
Lesson time: (6min 41sec)
Course preview
This lesson is part of the course Toca auténtica guitarra de blues de Texas
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: "Fight No More"
So we're going to look at a song of mine called Fight No More. This is a riff that I had in D flat. I'm going to show you the rhythm parts and the lead melody line in the verses. This track has a bit of a swinging 60s feel to it.
Influences and Drumming Style
- Jeremy Stacey on drums played in a big band, crazy sort of way.
It reminds me of Buddy Rich or something. - Rocco was doing a James Brown style bass line.
- Influences for this track include:
- John Schofield
- Robin Ford
- Jimmy
Main Rhythm Part
The song starts with what they call the Hendrix chord.
- You've got the open E with the B string playing the E as well.
- The progression goes like this:
- Start with F sharp
- Then E
- Move into the chorus playing an E major chord
(which always sounds kind of like Prince to me) - Followed by an F sharp major with the B and E string open
(which sounds really satisfying to me) - Finally, move to the A chord.
Chorus Example
So the whole of the chorus is like this:
E major → F sharp major → A
Melody Line
The part that's playing the melody over that I recorded with an auto wire in the studio, but today I'm just going to use a wild pedal.
- The melody is quite simple and just in D flat.
- It goes like this:
(insert melody here)
I'm playing a version of the Hendrix chord there, but up higher. I really like how it sounds.
- It's reminiscent of a John Schofield style, where it's just grooving.
- You can let the E and B string ring open a bit.
Chorus Melody
In the chorus, I'm doing sort of an A to F sharp change, kind of like old stacks, similar to a Steve Cropper style.
- The main melody is basically that kind of vibe.
- You can mix that up with a wa pedal and a bit of fuzz for a different sound.
Playing Tips
As you head into the chorus with the wild pedal, remember:
- It's important to think beyond just playing on the beat.
- You want to move into each note, catching it every time:
"You want to try and catch that each time."
Avoiding a rigid rhythm helps.
- You don't just want to be playing like:
"Like that the whole time."
Instead, aim for a more expressive sound. It can be worth spending some time with the wild pedal.
- It's relatively easy but can sound really cool if you catch it right on each note or chord.
About the instructor

Scott McKeon ha dedicado toda una vida a su oficio como guitarrista. Inspirado inicialmente por el amor de su padre por el blues, el soul y el rock, cogió la guitarra a los cuatro años y se ha ganado la reputación de ser uno de los guitarristas más solicitados del Reino Unido, tanto en el estudio como en directo. En 2014, Scott recibió una llamada para tocar en la banda de Sir Tom Jones, junto a Robbie McIntosh y el batería de Pink Floyd Gary Wallis. El repertorio, orientado al blues, el rock 'n' roll y el gospel, permite a Scott recurrir a sus primeras influencias y recorrer el mundo. Las actuaciones hasta la fecha han incluido cinco giras europeas, tres giras por EE. UU. y Sudamérica y giras por Australia y el Lejano Oriente, así como apariciones en televisión como Later... with Jools Holland y TFI Friday, y tocar en el New Orleans Jazz Festival en 2019. El tercer álbum de Scott, 'New Morning', es un disco terroso, crudo y liderado por la guitarra que muestra su registro y su capacidad como guitarrista. El álbum se grabó en directo en el estudio de RAK en Londres, capturando la energía y la espontaneidad de las sesiones. Fue producido por Paul Stacey (Black Crowes/Oasis), y cuenta con Jeremy Stacey (Sheryl Crow/Tal Wilkenfeld) a la batería, Rocco Palladino (Tom Misch/D'Angelo) al bajo y Gavin Conder (Rufus Black/The Kondoors) como vocalista en varios temas. Scott también tiene un pedal de fuzz de firma y pastillas de firma, modeladas a partir de su Strat del 62. En su curso, Scott comparte el tono, el fraseo y el feel que hay detrás de la auténtica guitarra de blues de Texas, mostrándote cómo hincar el diente al estilo y hacer que cada nota cante. read more




