Tresillos
Lesson time: (2min 13sec)
Course preview
This lesson is part of the course Fundamentos del piano: armonía e interpretación
Watch a preview of the full course below.
Lesson transcript:
Exploring Triplets
Next, we'll have a look at triplets. We use triplets when we need to fit three notes evenly into one count.
Sound Illustrations
To illustrate this, I'm going to show you what it sounds like to play quarter notes, then eighth notes, and then triplets along to a steady beat.
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Quarter Note:
- Sounds like: 1, 1, 1, 1, 1, 1, 1, 1.
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Eighth Note:
- Sounds like: 1 and 1 and 1 and 1, 1 and 1 and 1 and 1.
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Triplet:
- Sounds like: Triple it. Triple it. Triple it. Triple it. Triple it. Triple it.
Practicing with a Metronome
Let's have a look at what this would be like in an example. We'll try this first example along to a metronome to help us keep that steady beat.
After four:
- 1, 2, 3, a four.
- 1 and 2 and 3 and 4 and
- 1 and 2 and 3 and a four and
- 1 and 2 and 3 and 4.
Feel free to pause the video here and practice this on your own. Take it as slow as you need to, and then build back up the tempo as you gain confidence.
Next Example
Let's look at the next example. Once again, we'll try it with the metronome to keep a steady beat.
After four:
- 1 and 2 and 3 and 4 and
- 1 and a 2 and 3 and 4 and
- 1 and 2 and 3 and 4 and
- 1, a 2 and 3 and 4.
And once again, take a pause here. Practice it on your own as slowly as you need to, and then build back up the tempo as you get better and better.
About the instructor

Talia Girton es músico y musicoterapeuta registrada en el HCPC, y fundadora de The Cycling Music Teachers. Su trabajo une la musicoterapia, el asesoramiento y la educación, y da clases a nivel internacional en el curso de formación en musicoterapia de la UDELAS en Panamá, además de contribuir al desarrollo profesional con la European Piano Teachers Association (EPTA). En MusicGurus imparte los cursos Piano Method y Piano Foundations, guiando a principiantes absolutos desde los primeros pasos a través del ritmo, ambas manos, la teoría y la interpretación. read more




