Estructura y tempo

Annabel Thwaite
Annabel Thwaite

Lesson time: (2min 38sec)

Annabel Thwaite sitúa Für Elise en su contexto de la época clásica y explica cómo el tempo unificado del estilo debe guiar la forma en que abordas la pieza.

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This lesson is part of the course Aprende clásicos favoritos al piano
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Lesson transcript:

Understanding Classical Idioms through Furules

Furules is a great piece for understanding classical idiom, specifically in the classical era. We are focusing on 18th-century music, which encompasses composers such as:

  • Mozart
  • Haydn
  • Beethoven
  • Schubert

The Importance of Beethoven

Beethoven is particularly important because he was present during the development of the piano.

  • His early sonatas used only a limited range of the keyboard.
  • As the piano evolved, he began using the instrument in a much more emphatic and developed fashion.

Characteristics of 18th Century Classical Music

In terms of classical features, we look at several key elements:

  • Melody and Accompaniment:

    • There is often a beautiful melody in the right hand, though it may sometimes appear in the left hand.
    • An accompaniment supports this beautiful line.
  • Dynamics:

    • The dynamics are contrastive, with clear distinctions between soft (pp or piano) and loud (forte) passages.
    • The dynamics often feel very black and white, rather than involving excessive swells.
  • Rhythmic Precision:

    • Rhythmic accuracy is vital.
  • Unified Tempo:

    • This is one of the most important aspects.
    • It's essential to negotiate a suitable tempo that encompasses the difficult sections, particularly the second page and the triplets at the bottom of the third page.

Navigating Tempo

If we accelerate too quickly at the beginning, we may struggle with bar 33.

  • Remember, 4 demisemiquavers equal 1 quaver.
  • In a 3/8 meter (3 quavers per bar), we want to match up our counts.

Suggested Practice Approach

I suggest starting at:

  • Bar 33:
    • Think about how fast and relaxed you can play those demisemiquavers.
    • Consider counting: "1, 2, 3."

Alternatively, you could begin at:

  • Bar 79:
    • Count: "1, 2, 3."

Once you feel comfortable, you may decide to increase the tempo slightly or play a bit slower, it's up to you!

About the instructor

Annabel Thwaite
Annabel Thwaite

Reconocida como una de las pianistas más versátiles y carismáticas de Gran Bretaña, Annabel Thwaite disfruta de una carrera diversa como solista, música de cámara, artista de grabación, docente y examinadora, y ha ganado todos los principales premios de acompañamiento, incluidos los prestigiosos Kathleen Ferrier, Gold Medal y Richard Tauber Piano Prizes. Ha colaborado con artistas de renombre como Roberto Alagna, Bryn Terfel, David Kempster y "Only Men Aloud!" Annabel ha grabado para Universal records con el "Scottish Tenor", cuyo álbum fue nominado a un Classical Brit Award y suena con regularidad en Classic FM. Dos veces acompañante del Festival of Welsh Male choirs, sus actuaciones en el Royal Albert Hall fueron grabadas por Sain y emitidas en S4C. También es pianista de sesión de cine, habiendo grabado en Abbey Road la música de la película "Awake", la serie de la BBC sobre Jane Austen "Emma", "The Secret Diaries of Miss Anne Lister" y, más recientemente, ha aparecido tanto en Blue Peter como en "The Rob Brydon Show". "...sin duda ayudada por los acompañamientos de piano evidentemente brillantes de Annabel Thwaite... sumamente disfrutable." En sus cursos de MusicGurus —Learn Christmas Classics on Piano, Learn Classical Favourites on Piano y Growing Chamber Groups and Small Ensembles— Annabel comparte la musicalidad que hay detrás de esa carrera versátil. Aprenderás a dar vida al piano a piezas navideñas y clásicas muy queridas, a desarrollar tu toque y tu fraseo y, apoyándote en su experiencia premiada como acompañante, a descubrir cómo escuchar, liderar y tocar en conjunto al hacer música con otros músicos en grupos de cámara y pequeños conjuntos. read more

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