Consejos de práctica

Annabel Thwaite
Annabel Thwaite

Lesson time: (7min 9sec)

Annabel Thwaite comparte un enfoque práctico en tres etapas para trabajar cualquier pieza - desde la primera lectura hasta el trabajo técnico enfocado en pequeños fragmentos.

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This lesson is part of the course Aprende clásicos favoritos al piano
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Lesson transcript:

Practicing for a Performance

There are several ways that you can practice for a performance, and I guess the easiest way is to break it down into three steps or stages.

Stage 1: Initial Engagement

  • Choosing a Piece:

    • Look at it for the first time and examine the whole structure.
    • Listen to a recording or view a performance of it.
  • Methodical Review:

    • Go through the piece, focusing on fingering.
    • Note which passages are challenging.
  • Break It Down:

    • Examine the piece by looking at the left hand, right hand, and the entire structure.

Stage 2: Detailed Technical Work

When you get to the real nitty-gritty work, keep these points in mind:

  • Self-Teaching:

    • Remember, you are the best teacher for yourself.
    • Identify problems like a doctor would, and find solutions.
  • Block Random Practice:

    • Follow the saying "less is more."
    • Focus on small snippets (e.g., two bars) for 2 minutes to target specific issues.
  • Techniques for Improvement:

    • Slow Practice:

      • It's not just about slowing down; it's about your brain registering what's happening.
      • For example, when practicing Bach's "Jesu, Joy of Man's Desiring," slow it down and focus on finger placement, hand position, and harmonies.
    • Reverse Techniques:

      • Try playing staccato where legato is required to enhance finger agility and flow.
  • Posture Awareness:

    • Maintain good posture; avoid raising shoulders or curling towards the piano.
    • Be aware of unnecessary tension in your body which can hinder fast or loud playing.

Stage 3: Performance Practice

  • Integration:

    • By this point, it feels like the piece is all in your fingers.
  • Practice Performing:

    • Use your pets, neighbors, family, or an imaginary audience for practice.
    • A mobile phone or recording device can serve as a good substitute audience. Record, listen back, and assess your performance for clarity and pacing.
  • Self-Awareness During Performance:

    • Just like in driving, anticipate trouble areas (e.g., "black spots" of traffic).
    • Avoiding a passage isn't the goal; instead, anticipate it and work on it.

Conclusion: The Why Behind Your Practice

Always revisit why you chose that piece:

  • Musical Engagement:

    • You should love the sound and mood of the piece.
  • Concentration:

    • Avoid going through the motions; keep your brain engaged.

Final Advice

  • Practice in smaller increments but more often.
  • Enjoy the process of your practice!

About the instructor

Annabel Thwaite
Annabel Thwaite

Reconocida como una de las pianistas más versátiles y carismáticas de Gran Bretaña, Annabel Thwaite disfruta de una carrera diversa como solista, música de cámara, artista de grabación, docente y examinadora, y ha ganado todos los principales premios de acompañamiento, incluidos los prestigiosos Kathleen Ferrier, Gold Medal y Richard Tauber Piano Prizes. Ha colaborado con artistas de renombre como Roberto Alagna, Bryn Terfel, David Kempster y "Only Men Aloud!" Annabel ha grabado para Universal records con el "Scottish Tenor", cuyo álbum fue nominado a un Classical Brit Award y suena con regularidad en Classic FM. Dos veces acompañante del Festival of Welsh Male choirs, sus actuaciones en el Royal Albert Hall fueron grabadas por Sain y emitidas en S4C. También es pianista de sesión de cine, habiendo grabado en Abbey Road la música de la película "Awake", la serie de la BBC sobre Jane Austen "Emma", "The Secret Diaries of Miss Anne Lister" y, más recientemente, ha aparecido tanto en Blue Peter como en "The Rob Brydon Show". "...sin duda ayudada por los acompañamientos de piano evidentemente brillantes de Annabel Thwaite... sumamente disfrutable." En sus cursos de MusicGurus —Learn Christmas Classics on Piano, Learn Classical Favourites on Piano y Growing Chamber Groups and Small Ensembles— Annabel comparte la musicalidad que hay detrás de esa carrera versátil. Aprenderás a dar vida al piano a piezas navideñas y clásicas muy queridas, a desarrollar tu toque y tu fraseo y, apoyándote en su experiencia premiada como acompañante, a descubrir cómo escuchar, liderar y tocar en conjunto al hacer música con otros músicos en grupos de cámara y pequeños conjuntos. read more

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