El repetidor

Con
Dov WatermanDov Waterman muestra cómo funciona el repetidor de notas MIDI —como un delay, pero repitiendo las notas en sí en lugar del sonido— y cómo usarlo para generar nuevas ideas.
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14 lecciones (0h 53m) · 1 gratisTranscripción de la lección
Exploring the Note Repeater
Another great little generator of ideas is the note repeater.
What is a Note Repeater?
Basically, it's almost like a delay.
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Opening the Note Repeater:
- If I just close down these modulators for a second and open my note repeater, let's find another sound which is a bit more bell-like, perhaps.
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How It Works:
- Once this effect is on, it's almost like a delay.
- It is basically a MIDI repeater.
- You can change various aspects of it, such as:
- How many repeats you want
- The delay is synced
Difference from Traditional Effects
Unlike a processed delay or echo, these really are repeated notes.
- They are repeated MIDI notes, which serves as an alternative to using a processing plugin, like an effect such as a delay or an echo.
- The key difference is that you're not affecting the overall sound; you're just affecting the actual notes themselves.
Practical Application
If you stop it, I mean, we're hearing a lot of notes because there are lots of repeats on here.
- I just had three repeats.
So, unlike an effect, unless you had a very complex delay effect, of which there are many complex delay effects, those affect the overall sound.
- Here, you're just affecting the MIDI note.
In summary, it's another alternative to using a delay.
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Dov Waterman es compositor, pianista y productor. Ha escrito y diseñado el sonido de películas como After Earth, Terminator Genisys, Transformers: The Last Knight y The Snowman, y trabaja como editor de audio de bibliotecas de samples y diseñador de sonido con empresas como Native Instruments y SonoKinetic.
Su serie Composition in Logic recorre la construcción de un tema de principio a fin en Logic Pro —desde las plantillas y el flujo de trabajo hasta la síntesis y la programación de ritmos, los efectos MIDI, la edición y la mezcla final— para productores que quieran convertir sus ideas en discos terminados.


























