Lección 12 de 14Producción musicalIntermediate

Crear Apple Loops

En esta lección, Dov te muestra cómo guardar una composición que has hecho como un Apple loop para recuperarla en el futuro
Parte del cursoComposición en Logic: efectos MIDI, Smart Controls y automatización14 lecciones (0h 53m)

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14 lecciones (0h 53m) · 1 gratis
    • 01. Introducción a los controles inteligentes y la automatización

      1:07

    • 02. Smart Controls y automatización

      5:40

    • 03. Asignación de Smart Controls

      5:50

    • 04. Crear Apple Loops

      Estás aquí

      5:18

    • 05. Repaso de los smart controls y la automatización

      1:11

    • 06. DESAFÍO #2: CREA UN RISER CON SMART CONTROLS

      0:39

Transcripción de la lección

Automation and Apple Loops in Music Production

I've recorded a little sequence here with automation going on. Oops. You can see all these controls moving.

Using Automation in Your Project

Say, I like that. And I think, "Hey, hang on! I could use it within this project, or perhaps in another project." So, I could save it as an Apple Loop and then do whatever I like with it.

Saving as an Apple Loop

To save as an Apple Loop, we can now just drag it into our Apple Loop section.

  1. Recorded Automation: I recorded these bits of automation in a region.
  2. Track vs. Region: There are two sections here: track and region. Rather than save this as a track (since we're not doing any volume or panning automation), we're actually recording automation of the parameters of the synth and various aspects of the signal chain.
  3. Region Mode: It's important to do it in Region mode. This saves the Apple Loop with everything in it, it won't do that if you're in track mode. Very important to remember!

Naming Your Apple Loop

Let's drag this in. We'll call it Dovalient Lead 2.

  • Characterization: It's a minor sound, so we'll label it:
    • Single
    • Clean
    • Distorted
    • Electric

These are all just tags for you to find your sound a little bit easier later. It's not quite cheerful, it's grooving, it's melodic, it's a part. Great!

Finding Your Apple Loops

After you create your loop:

  • Loop Packs: You'll find different loop packs, so all the genres are here.
  • My Loops: If you're looking for a specific kind of sound, you'll find it in the various loop packs, and in "My Loops," you'll find the sounds that you create yourself.

Resetting and Importing a Sound

Let's delete this. In fact, I'm going to delete the whole thing and reset the channel strip. Now, I'm going to bring this one in.

  • New Project: Pretend I'm in a completely new project. I remembered I had this sound that was very unique.
  • Importing: I've pulled it in, and it's brought not only the MIDI part but also the channel strip with the ARP and all the sequence data I had in there. Really handy!

Now you can see the modulation that's been going on. This is how you turn ideas into an Apple Loop where you can create a pool of sounds.

Capturing Creative Ideas

When you're in that creative zone and these ideas and little experiments are flying off the bat, it's very useful to capture them by saving them as Apple Loops.

Converting to Audio Loops

If you want to turn it into an audio loop:

  • Control & Bounce: All you need to do is control and bounce, then go to "Bounce in Place." It will turn it into an audio file.
  • Creating Audio Loops: You can then create an audio loop in the Apple Loop section.

Once it's pulled up, you'll have two types:

  1. Audio Loop: This is just an audio loop.
  2. Apple Loop: This will conform to the tempo of your track, indicated by the little Apple Loop sign.

Tempo and Flexibility

If I change my tempo, remember:

  • The ordinary audio loop does not conform to anything.
  • The Apple Loop stays in time.

Summary

You can save a whole bunch of these little ideas for use later on. If you're creating an arrangement out of these ideas, you'll have a pool of little sounds ready to enhance your composition. There you have it!

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Dov Waterman

Dov Waterman

Dov Waterman es compositor, pianista y productor. Ha escrito y diseñado el sonido de películas como After Earth, Terminator Genisys, Transformers: The Last Knight y The Snowman, y trabaja como editor de audio de bibliotecas de samples y diseñador de sonido con empresas como Native Instruments y SonoKinetic.

Su serie Composition in Logic recorre la construcción de un tema de principio a fin en Logic Pro —desde las plantillas y el flujo de trabajo hasta la síntesis y la programación de ritmos, los efectos MIDI, la edición y la mezcla final— para productores que quieran convertir sus ideas en discos terminados.

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