Wie du besser wirst
Lesson time: (2min 5sec)
Course preview
This lesson is part of the course Brass-Band-Musikalität und Improvisation mit Youngblood
Watch a preview of the full course below.
Lesson transcript:
Unlocking the Potential of the Sousaphone
There are so many different ways that you can use the special aspects of the sousaphone for your own benefit.
And just like I said in the beginning, nobody taught me to do this stuff. I didn't invent a lot of these techniques; I just experimented with them and came up with new ways to spin them and change things around so that they are useful within the context of my band.
But you're never going to get hired by a band because you can do this. This is all just stuff that you can have fun with, ways that you can get more out of playing the sousaphone than just playing boring bass lines all the time, which does get extremely tedious.
So go out and experiment!
Important Insights
One of the most important things that I can tell you is this:
I didn't come up with all this stuff by listening to a bunch of tuba players. I came up with this by listening to everything that wasn't tuba players and figuring out:
- What about their sounds I liked
- What gestures they made on their instruments that I could really use
Influential Artists
Here are some artists that inspired me:
- Frank Zappa
- Rage Against the Machine: Tom Morello has some great sounds.
- Various Scratch DJs: DJ Babu was awesome.
- Bobby McFerrin: He could come up with some amazing ways to use his voice as a solo instrument and accompany himself on bass line stuff while singing melodies.
So listen to stuff that you would never have thought to take influence from on the sousaphone. Eventually, you're going to come up with some great things, because this is an instrument of huge untapped potential, and it's just out there waiting for you to tap it.
So go ahead, tap it.
The end.
About the instructor

Youngblood Brass Band verbindet kompromisslose New-Orleans-Bläser mit der Energie und Lyrik des Hip-Hop. Das zehnköpfige Ensemble aus Madison, Brooklyn, Minneapolis und Chicago tourt seit 2000 um die Welt und hat mit Größen wie Questlove und Talib Kweli zusammengearbeitet. Es fühlt sich gleichermaßen wohl dabei, mit eigenen Kompositionen eine Marching Band anzuführen wie ein Punk-Festival als Headliner zu spielen. Auf MusicGurus zerlegen sie ihren Sound aus New Orleans und Hip-Hop: wie sie für Bläser komponieren und arrangieren, das rhythmische und harmonische Vokabular, das alles zusammenhält, und wie man eine Bläserlinie als Teil einer eng verzahnten Section spielt, inklusive der kompletten Stimmen zu ihrem Stück 'Brooklyn'. read more




