Altsaxofon mit Zach Lucas
Lesson time: (5min 1sec)
Zach Lucas von der Youngblood Brass Band zeigt die Langton-Übung, mit der er seinen Saxofonklang stärkt und sich über eine laute Bläsersektion durchsetzt.
Course preview
This lesson is part of the course Brass-Band-Musikalität und Improvisation mit Youngblood
Watch a preview of the full course below.
Lesson transcript:
Competing Sonically: Strengthening Your Sound on Saxophone
Hey there! I'm Zach Lucas, one of the saxophone players in the Youngblood Brass Band. Today, I want to address a question I frequently get:
How do you compete sonically alongside a brass section that plays so loud and aggressively for 75 minutes at a time?
To that, I would say:
- Invest in a nice microphone.
- More importantly, focus on strengthening your sound so that you project better.
Long Tone Exercise
One effective exercise I recommend is a long tone exercise, which I like to do at the beginning and end of my practice sessions.
Steps to Follow:
- Start on an open C sharp.
- Begin piano (soft).
- Gradually crescendo to your loudest point.
- Decrescendo back to piano.
This exercise is great for:
- Building strength
- Improving stamina
Make sure to do it in one breath. Here's an example to demonstrate.
Going Down Chromatically
Next, move down chromatically. You should feel the effort in your face. If you don't, either you're not doing it right or you're a robot.
- Now, let's go down to the octave C.
- Avoid any vibrato; if you hear it, it might just be nerves.
Chromatic Variation
The second part of my exercise is a chromatic variation that also starts on C sharp.
- This too should be done in one breath.
- It doesn't have to be strictly chromatic; you can move around.
It will sound something like this.
Straight Tone
You want to achieve a straight tone , think of it as a "laser tone."
In Youngblood Brass Band, our phrasing is very straight with:
- Minimal vibrato
- A strong emphasis on staying on top of the beat
Air and Finger Placement
It's crucial to keep the air flowing and your fingers moving.
- I'm not using the octave key because this register (mid to low) of the saxophone is the meat and potatoes of the instrument.
- Developing a nice low end will ensure your upper register sounds good automatically.
Here's that same exercise using the octave key.
Feel free to speed it up or adjust the tempo as you see fit, but always concentrate on achieving that laser tone.
Conclusion
Good luck with the exercise! Work on your laser tone, and it will enhance your sound across any type of music , not just Youngblood stuff.
When you're playing a solo, this technique will enable you to project and create long, cool phrases. Happy practicing!
About the instructor

Youngblood Brass Band verbindet kompromisslose New-Orleans-Bläser mit der Energie und Lyrik des Hip-Hop. Das zehnköpfige Ensemble aus Madison, Brooklyn, Minneapolis und Chicago tourt seit 2000 um die Welt und hat mit Größen wie Questlove und Talib Kweli zusammengearbeitet. Es fühlt sich gleichermaßen wohl dabei, mit eigenen Kompositionen eine Marching Band anzuführen wie ein Punk-Festival als Headliner zu spielen. Auf MusicGurus zerlegen sie ihren Sound aus New Orleans und Hip-Hop: wie sie für Bläser komponieren und arrangieren, das rhythmische und harmonische Vokabular, das alles zusammenhält, und wie man eine Bläserlinie als Teil einer eng verzahnten Section spielt, inklusive der kompletten Stimmen zu ihrem Stück 'Brooklyn'. read more




