Soloing und "Flaming Out"
Lesson time: (4min 40sec)
Tony Barba und Zach Lucas behandeln grundlegende Solo-Strategien auf dem Saxofon, darunter das Verwenden eines kräftigen, geraden Tons, statt sich hinter Vibrato zu verstecken.
Course preview
This lesson is part of the course Brass-Band-Musikalität und Improvisation mit Youngblood
Watch a preview of the full course below.
Lesson transcript:
Achieving a Strong Tone on Saxophone
When playing the saxophone, aim for a strong, solid tone. In youngblood music, we often refrain from using a lot of vibrato.
The Importance of Straight Tone
- A noticeable trend among many saxophone players is that they tend to hide behind vibrato during solos.
- When you're soloing, it's important to use a straight tone. This can add a lot of strength to your performance.
Exploring Creative Techniques
In addition to traditional playing, consider:
- Exploring methods similar to those used by guitarists, such as finger tapping.
- There's no limitation to being restricted to saxophone players for inspiration. As Nat mentioned in his video, creativity can come from various sources.
Practice and Experimentation
- Spend time experimenting in the practice room.
- Try to find unique sounds that aren't just typical notes:
- Use overtones.
- Wiggle your fingers on a note to discover different effects.
- Techniques you've honed can produce unusual sounds, reminiscent of bagpipes.
Engaging the Audience
Playing in a group offers an opportunity to make a strong statement during your solo:
- Begin with a bold introduction.
- Quoting familiar songs (often older hip hop or funk from the 70s, 80s, 90s) can engage the audience and keep them involved.
Shifting Your Mindset
- Approach your performance not merely as a jazz concert but as an experience for the audience.
- Remember that the crowd enjoys dancing, sweating, and the feeling of communal enjoyment, not necessarily sitting quietly in a jazz club.
Balancing Jazz with Audience Appeal
- While you can certainly incorporate jazz elements, it's beneficial to think outwardly, considering what the audience wants.
- Maintain a balance between jazz techniques and engaging performance strategies to keep the energy high.
Conclusion
In bands like this, it's okay to break out and flame out during your solos. While jazz and bebop are wonderful tools to have in your arsenal, sometimes the best approach is to get creative and embrace the excitement of live performance.
About the instructor

Youngblood Brass Band verbindet kompromisslose New-Orleans-Bläser mit der Energie und Lyrik des Hip-Hop. Das zehnköpfige Ensemble aus Madison, Brooklyn, Minneapolis und Chicago tourt seit 2000 um die Welt und hat mit Größen wie Questlove und Talib Kweli zusammengearbeitet. Es fühlt sich gleichermaßen wohl dabei, mit eigenen Kompositionen eine Marching Band anzuführen wie ein Punk-Festival als Headliner zu spielen. Auf MusicGurus zerlegen sie ihren Sound aus New Orleans und Hip-Hop: wie sie für Bläser komponieren und arrangieren, das rhythmische und harmonische Vokabular, das alles zusammenhält, und wie man eine Bläserlinie als Teil einer eng verzahnten Section spielt, inklusive der kompletten Stimmen zu ihrem Stück 'Brooklyn'. read more




