Blue Espresso

Music Lesson: Exploring "Blue Espresso"

So that was Blue Espresso, another great tune! This is a fantastic blues song that allows you to express yourself and features a great melody line to get under your fingers.

Influences and Style

• B.B. King:

  • This song bears the hallmarks of B.B. King's playing, and his influence is evident throughout.
  • Any guitarist interested in playing blues music should listen to B.B. King and appreciate his expressive guitar touch.

• Stylistic Elements:

  • This piece is rooted in the blues with a very nice swing.
  • You can incorporate jazz elements into your playing if that's your style.

Guitar and Amp Settings

• I'm using a Fender Telecaster, but remember, B.B. King played a Gibson 335, famously known as Lucille.
• You don't need a 335 to achieve this sound; you can play the blues on any guitar, including a Telecaster, which was a favorite of Albert Collins.

Setup

• Neck Pickup: Selected for a warmer tone.
• Tone: Rolled off about a quarter.
• Amp Settings: Set to a crunchy sound that isn't overly driven. This strikes a sweet balance:
  • Soft Playing: Produces a sweet tone.
  • Digging In: Adds bite and expressiveness.

Expressive Playing

• This tune allows for a lot of light and shade.
• Your examiner will likely expect you to show a dynamic range:
  • Besides just playing it cool, allow the piece to take the listener on a journey.

Techniques to Focus On

1. Trills and Partial Chords:

   • The first note of the first bar is a partial chord.
   • A Bb7 chord is used, which omits the root because the bass player will cover that.

2. Creating Freedom:

   • Playing partial chords gives you flexibility for finger movement.

3. Using Trills:

   • Combine a trill with a grace note (a hammer-on) at the start.
   • Practice slowly to maintain timing:
     • Example: (Hammer-on sample)
     • Repeat endlessly without plucking the right hand.

4. Varying Technique:

   • Add a trill to the partial chord for a bouncing effect.

Approaching the Solo

• Focus on feel over technique:
  • This is where many guitarists excel; pay attention to emotional delivery (e.g., B.B. King, Freddie King, and Peter Green).

Scale Insights

• Primarily use the blues scale, but blend in major thirds to enhance your solo:
  • The Bb major third and the Eb major third can elevate your sound.
  • Experiment with Mixolydian scales without rigidly adhering to them, think in terms of desired sounds and feelings.

Performance Tips

• When soloing, embrace stops for dynamics:
  • You can play very straight over a swung rhythm to keep it interesting.

Creative Exploration

• Have fun with the piece; once the melody line is solid, experiment with sounds and familiar passages.
• Drawing from earlier riffs can add familiarity to your solos.

Recommended Listening

• To delve into the blues, check out musicians like:
  • B.B. King
  • Freddie King
  • Peter Green
  • Albert Collins
  • Shuggie Otis:
    • His early work, especially his second or third record, showcases youthful blues prowess worth exploring.

So, that's Blue Espresso! I can tell you're going to have a lot of fun with it, so make sure you do. Good luck!