James Hunter - She's Got a Way

Mit
Joe GlossopJoe Glossop analysiert das perkussive R&B-Rhythmus-Comping an der Hammond-Orgel, basierend auf She's Got a Way von James Hunter.
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Transkript der Lektion
Exploring Rhythmic Comping in R&B
Okay, so we're just going to have a little look at some rhythmic comping in a kind of R&B context.
Song Overview
This is a song called She's Got Away from a guy that I used to work for called James Hunter. It's pretty cool sort of R&B original music.
If you listen to the original track, there's a part on it. It's not exactly the same as this, because live we used to play it quite a little bit differently, but there are some nice percussive elements.
Chord Structure
- We're in B flat and it's based around that classic chord.
- Then going to the 4 as a 13, like that:
- So we got the flat 10 and sharp 9 there.
That's the kind of part I played live when we used to do it. It's pretty uniform like that. You're just backing underneath the singer in a lively band with a horn section.
Uniform Parts
Everyone's got quite a sort of uniform part.
Sound Settings
What I've got there is this setting:
- Sometimes I use a bit of top, sometimes not.
- I've replicated that on the bottom with a little bit of top if I was doing that.
This is what I'm using for my percussive sound, mostly the eighth drawbar.
Drawbar Configuration
- First four, first three all the way, and first and the fourth just a little bit half, maybe.
- I've got vibrato on both manuals.
Phrasing Technique
In between the phrases, I'm mostly just hitting the wood. This gives it a little bit more of a syncopation and some added punctuation.
So that's the part, and it's a very cool kind of R&B vibe.
Next Steps
What I wanted to do is see if we can get close to it on the Nord. With it being a fairly uniform thing and pretty stock sounds, I think we'll be able to get pretty close. So, I'll just get the Nord out and see if we can get there.
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Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T.



























