Georgie Fame - Let the Good Times Roll, Baby Please Don't Go (auf dem Nord)
Mit
Joe GlossopJoe Glossop stellt Drawbar- und Percussion-Einstellungen am Nord ein, um Georgie Fames Orgelsound bei 'Let the Good Times Roll' und 'Baby Please Don't Go' nachzubilden.
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Transkript der Lektion
Georgie Fame Solos on the Nord
Introduction
Let's have a look at the Georgie Fame solos on the Nord and see how close we can get.
Drawbar Settings
- Drawbars:
- All three out
- Half of number four
- Percussion:
- Third percussion
- Third harmonic percussion
- Decay:
- Soft, fast decay
Pad Setting
For "Let the Good Times Roll":
- Pad underneath:
- 8 and 4
Sound Characteristics
- I think these settings are better for the bulkier, lower sounds.
- Higher harmonics tend to sound:
- A little bit fizzy
- A little bit digital
- The first four drawbar sounds tend to come out better.
- The percussion and Leslie effects come together to create a sound that's decently like the real thing.
Amplification
- Using a valve amp rather than DIing it is preferable.
- Benefits:
- Moving air
- Sound coming from an amp with valves into a mic through the air
- This approach feels more real and less like a digital sample.
Example: "Let the Good Times Roll"
- Final thoughts on the song: It's a great representation of the style.
Example: "Baby, Please Don't Go"
- For this track:
- Turn the percussion off
- Consider adding some vibrato
- The drawbar settings remain similar; the only difference is that the percussion is switched off.
Conclusion
I believe you can pull those sounds off quite well!
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Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T.
