Wie die Hammond-Orgel funktioniert
Lesson time: (1min 54sec)
Joe Glossop erklärt, was im Inneren einer Hammond passiert – den Tonrad-Generator, die neun Kontakte pro Taste und wie die Zugriegel die Pfeifen einer Kirchenorgel nachbilden.
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This lesson is part of the course Authentische Hammond-Sprache für Rock und R&B
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Lesson transcript:
Understanding the Tone Wheel Generator
The guts of it are this tone wheel generator that has 96 tone wheels on a rod. They spin in an electric current, and each time the little cog cuts through the current, a tone is produced.
Key Features
- Each key has nine contacts which correspond to nine drawbars.
- As you press the key down, you gradually get from high to low as the contacts engage one by one.
Complexity and Design
- In each key, there are nine contacts going up and down vertically.
- It's a very complicated system, and I don't know how he came up with it.
- It's amazing that they still work all this time later, considering the design is about 70 to 80 years old.
Differences from Traditional Organs
- It's different from a church organ in that it is electric to begin with.
- These drawbars are modeled on lengths of pipe from a church organ. The original idea was to recreate a church organ.
Drawbar Specifications
If you see on slightly later models from the late 60s onward through the 70s, the drawbars had the lengths of pipe written on:
- 16
- 5 and a third
- 8
- 4
- 2 and 1
- Sub fundamentals, fundamentals, and fifths are structured as follows:
- The white ones are all fundamentals.
- The colored ones are sub fundamentals and fifths.
This model was made from 1955 to 1975. It is truly an incredible bit of engineering!
About the instructor

Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T. read more




