Q&A with Andrew Levy
Lesson time: (6min 52sec)
Course preview
This lesson is part of the course Unleash Your Funk Bass Potential with The Brand New Heavies
Watch a preview of the full course below.
Lesson transcript:
My Journey into Music
Inspiration to Start Playing
My inspiration to start playing came from music, particularly disco music. There's one song called "Le Freak" by Chic, and that was one of the first singles I ever bought.
- At the time, I didn't really understand what the bass, drums, or other instruments were, but I knew there was something in the song that I really loved.
- I started with drumming lessons, alongside my best friend, Yank, who was also taking drum lessons.
We both loved funk and disco, but we thought, "We're both playing drums. How are we going to make music?"
His brother gave me a bass, and I began trying to play, specifically copying some bass lines from James Brown. However, "Le Freak" was one of the first bass lines I listened to in great detail.
First Sessions
Bernard Edwards was the guy who inspired me to start playing. The first bass session I played was for Soul to Soul on a song called "Fair Play."
- I remember being in an art school foundation course at around 19 or 20 years old.
- At that time, the Brand New Heavies were doing lots of shows at a club run by Jazzy B from Soul to Soul called the Africa Centre in Covent Garden.
Jazzy called me up, saying he liked my playing and invited me to the studio for a session. I had no idea what to expect; I had never been to a studio before.
- To prepare, I got my student union to loan me some money to buy a bass, wanting to show off my skills as a top session player.
- When I walked into the studio, I saw Nelly Hooper programming on the Roland 808, a cool drum machine from the 80s.
There was a beat going, and I instantly had an idea in my head. Since they were more of a dance-based band, I thought it would be cool to introduce a bluesy bass line. I played the bass line for the entire track without editing it, and they loved it!
I suggested adding a keyboard part, even though I'm not a keyboard player, and it worked beautifully.
An Exciting Moment
One of the most exciting moments was being in a band and achieving success when I called my mum to tell her we were going to be on Top of the Pops.
- Back in the late 70s and early 80s, "Top of the Pops" was the show, with an audience of 20 million viewers.
- Getting on that show meant you had made it, and to share that with my mum was incredible. She was thrilled and started telling all her friends.
The Joy of Playing
Playing the bass is the most fun thing I could ever do. It's something I absolutely love and doesn't feel like a job.
- When people ask what I do for a living, it feels strange to say, "I play the bass" or "I'm in a band" ? it just doesn't seem like a job.
- Playing takes me out of reality; it's kind of escapism. If my kids are freaking out or I've had a rough day, I pick up the bass and escape into another world.
When I'm writing a song on the bass, I often have no idea what I'm doing until suddenly an idea comes out.
The Power of Friendship
The band started at school with two friends. Sometimes I think if we weren't friends before the band got successful, we probably wouldn't still be together 25-30 years later.
- Friendship is essential because you go through ups and downs. In the beginning, it's all fun and games, but once success comes, the dynamics change.
- The money starts coming in, and people become dependent on you, which can dampen the initial fun and creativity.
Having friends around you who love you and see you as a regular person is vital for grounding and confidence. I believe having the right people around you is crucial for longevity.
The Magic of Performance
If you're thinking of starting a band, even after 30 years in the business, it still feels incredible.
- There's still magic in it. Even though I've played some songs thousands of times, each concert is unique due to different crowds and lighting.
- We don't over-rehearse, and I encourage everyone to treat each show as something different. Always try to play something slightly differently, and it still feels great because we don't tour constantly.
Closing Thoughts
Our fans are incredibly loyal, not just in the UK but also in America, Japan, and Australia.
- I believe that having good songs and giving it your all on stage each time makes a difference.
- When you're genuinely enjoying yourself and connecting with the crowd, people notice. We may not have a massive roster of songs, but we play every one with heart, joy, and smiles.
It's a privilege to be doing this for so long!
About the instructor

Andrew Levy is a founder member and bass player in the acid jazz group The Brand New Heavies. He also co-writes the band's original music with Simon Bartholomew. A self-taught musician, Andrew grew up listening to reggae, British pop radio, classical music, jazz funk, 'Lovers' Rock', jazz fusion, house, American folk, hip hop and acid house - an eclectic mix from growing up in London with parents from Jamaica! His biggest musical influences are James Brown, Vicki Anderson, Earth Wind and Fire, Level 42, Shalamar, Chic, Herbie Hancock, George Duke, George Benson, Marvin Gaye, Thin Lizzy, Miles Davis and Phyllis Hyman. In his course, Andrew shares what really makes funk bass move: how to lock in with the drums, sit deep in the pocket, and hold down the groove as part of a tight rhythm section - the feel, the discipline and the choices behind the sound that made The Brand New Heavies famous. Andrew lives in South West London with his wife Melissa and their two sons. About The Brand New Heavies The Brand New Heavies, founded by Andrew Levy and Simon Bartholomew, pioneered the acid jazz music scene of the 1990s. The pair met at school in Ealing in 1985 before going on to release top 10 albums in the UK, US and Japan, and in 2020 they signed a seven-figure deal with international label Edel Records to produce five new albums, with the first out in spring 2022. The band prides itself on playing real instruments - not computer-synthesised or programmed music. As a result, they have many renowned fans within the music industry, including super producer Mark Ronson, who cites their eponymous album as one of his top 10 records of all-time and credits the band with turning him onto funk from rock music back in the early 1990s. Ronson produced the band's 2019 cover of Kendrick Lamar's "These Walls", which gained a cult following on Radio 2. read more




