9th Chord Blues Scale
Lesson time: (3min 24sec)
Ron Sayer turns the chordal harmony shapes from earlier lessons into ninth chords, moving a single note to add a richer colour over your blues.
Course preview
This lesson is part of the course Thinking Out Of The Box 2: And Out You Go!
Watch a preview of the full course below.
Lesson transcript:
Chordal Harmony and Ninth Chords
Well, hello there!
Hopefully, you enjoyed that last lesson on chordal harmony and moving around a blues scale. If you did enjoy the lesson, this one hopefully will make you smile as well.
Introducing Ninth Chords
Basically, it's a very, very similar concept:
- Instead of using that chordal harmony chord, you're going to move one of the notes up.
- It's only one note that changes, but it becomes a ninth chord.
If you remember a few lessons ago, we looked at sliding sixth to ninth chords. This concept is sort of a mixture between both of those lessons.
Playing the A9 Chord
Here's what you're going to do:
- Play the ninth chord by positioning your fingers as follows:
- Fifth fret on the D
- Fourth fret on the G
- Fifth fret on the B
- Fifth fret on the E
So, there's our A9 chord.
Using the Blues Scale
The same concept applies:
- You'll be playing a blues scale, and your top note is the one you need to watch.
- Follow the top note while playing a blues scale in ninth chords over the top.
It sounds slightly different from the previous lesson using the stack nine or chordal harmony, but it has a definite flavor to it.
Jamming It Out
Okay, let's have a little go and jam over that then.
- Same thing: Vamp on the A.
- Count: 1, 2, 3.
That's some idea of ways you can have fun with this!
Practical Application
It's something that you can use when playing:
- A slow blues
- Some kind of funky groove
It always sounds quite nice if you're actually coming down to play that. It's not one that really suits blasting away, but if you have a section in the song where you bring it down, it always works spooky.
Okay, hope you enjoyed that!
About the instructor

Ron Sayer is a guitarist's guitarist on the UK blues circuit and a mentor to players including Oli Brown and Sol Philcox. He has been nominated four times at the British Blues Awards - for the album 'Better Side', the single 'Don't Make Me Stay', and his co-writing on Oli Brown's 'Here I Am' - and has won Guitarist of the Year. In his courses he breaks down the phrasing, tone and feel behind electric blues lead playing. read more




