Adding Flat 5th, Major 6th To The Pentatonic Scale

With
Ron SayerRon Sayer adds the flat 5th 'blue note' and the major 6th 'B.B. King note' to the pentatonic scale, expanding your blues vocabulary over a 12-bar.
What's in the course
12 lessons (1h 9m) · 1 free
01. Pentatonic And Blues Scale Shapes: A Review
Free lesson9:12

02. A Different Pentatonic Shape!
5:10

03. Adding Flat 5th, Major 6th To The Pentatonic Scale
You are here5:10

04. Mixing Major & Minor Pentatonics.
3:46

05. The Hybrid Blues Scale
4:41

06. Using double stops
4:27

07. Double Stops with passing notes
6:35

08. Ways To Play: 7th Chords
4:18

09. Ways To Play: 9th Chords
4:49

10. Cool chords
10:42

11. Turnaround Variations
5:25

12. BONUS RIFF: Learn how to play Pride & Joy by Stevie Ray Vaughan
5:30
Lesson transcript
Adding Blue Notes to Your Scale
The next step from that is we're going to stick in a blue note.
The Scale with a Flattened 5
- Play the scale with a flattened 5 in it.
- All you're doing is taking that pentatonic scale and adding in a flat five.
Here it is:
- Now, mirror that shape on the next two strings.
I'll play that once more.
Practicing the 12-Bar Sequence
Let's quickly go around a 12-bar sequence, showing you how to throw that blue note in there.
Count:
- 2, 3, 4...
Lovely!
Again, that includes a blue note.
Introducing the B.B. King Note
Now, I want to throw one more note into that scale, which is a real favorite, it's called the B.B. King note, which is the major sixth.
- This note makes the scale sound a lot more interesting.
I'll run through that for you:
- F sharp is what we're adding to the scale.
Let me show you where you can use that over a trill bar.
Count:
- Let's go again.
- 1, 2, 3... Sa!
Yeah, okay, cool!
Summary
So that's basically given you a pentatonic scale with a couple of added notes, which take you outside the box.
- Give that a go!
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Meet your guru

Meet your guru
Ron Sayer is a guitarist's guitarist on the UK blues circuit and a mentor to players including Oli Brown and Sol Philcox. He has been nominated four times at the British Blues Awards - for the album 'Better Side', the single 'Don't Make Me Stay', and his co-writing on Oli Brown's 'Here I Am' - and has won Guitarist of the Year. In his courses he breaks down the phrasing, tone and feel behind electric blues lead playing.












