Lesson 3 of 12GuitarIntermediate

Adding Flat 5th, Major 6th To The Pentatonic Scale

5:10

Ron Sayer adds the flat 5th 'blue note' and the major 6th 'B.B. King note' to the pentatonic scale, expanding your blues vocabulary over a 12-bar.

Part of the courseThinking Out Of The Box 1: Opening The Lid12 lessons (1h 9m)

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Ron SayerYour guruRon Sayer

What's in the course

12 lessons (1h 9m) · 1 free
    • 01. Pentatonic And Blues Scale Shapes: A Review

      Free lesson

      9:12

    • 02. A Different Pentatonic Shape!

      5:10

    • 03. Adding Flat 5th, Major 6th To The Pentatonic Scale

      You are here

      5:10

    • 04. Mixing Major & Minor Pentatonics.

      3:46

    • 05. The Hybrid Blues Scale

      4:41

    • 06. Using double stops

      4:27

    • 07. Double Stops with passing notes

      6:35

    • 08. Ways To Play: 7th Chords

      4:18

    • 09. Ways To Play: 9th Chords

      4:49

    • 10. Cool chords

      10:42

    • 11. Turnaround Variations

      5:25

    • 12. BONUS RIFF: Learn how to play Pride & Joy by Stevie Ray Vaughan

      5:30

Lesson transcript

Adding Blue Notes to Your Scale

The next step from that is we're going to stick in a blue note.

The Scale with a Flattened 5

  • Play the scale with a flattened 5 in it.
  • All you're doing is taking that pentatonic scale and adding in a flat five.

Here it is:

  • Now, mirror that shape on the next two strings.

I'll play that once more.

Practicing the 12-Bar Sequence

Let's quickly go around a 12-bar sequence, showing you how to throw that blue note in there.

Count:

  • 2, 3, 4...

Lovely!

Again, that includes a blue note.

Introducing the B.B. King Note

Now, I want to throw one more note into that scale, which is a real favorite, it's called the B.B. King note, which is the major sixth.

  • This note makes the scale sound a lot more interesting.

I'll run through that for you:

  • F sharp is what we're adding to the scale.

Let me show you where you can use that over a trill bar.

Count:

  • Let's go again.
  • 1, 2, 3... Sa!

Yeah, okay, cool!

Summary

So that's basically given you a pentatonic scale with a couple of added notes, which take you outside the box.

  • Give that a go!

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Meet your guru

Ron Sayer

Ron Sayer

Ron Sayer is a guitarist's guitarist on the UK blues circuit and a mentor to players including Oli Brown and Sol Philcox. He has been nominated four times at the British Blues Awards - for the album 'Better Side', the single 'Don't Make Me Stay', and his co-writing on Oli Brown's 'Here I Am' - and has won Guitarist of the Year. In his courses he breaks down the phrasing, tone and feel behind electric blues lead playing.

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