Rock City

With
Tommy WebbLearn to play 'Rock City', a rock piece built on E5, A5 and D5 power chords. Tommy Webb covers getting an overdriven tone and building the stamina to play cleanly through all four lines.
What's in the course
50 lessons (1h 52m) · 1 free
01. Intro to the Indie guitar sound
Free lesson2:09

02. Melody using B&C notes
3:45

03. Melody using B&C notes (performance)
0:55

04. Melody using alternate picking
2:36

05. Melody using alternate picking (performance)
0:55

06. Melody using alternate picking & D note
2:47

07. Melody using alternate picking & D note (performance)
0:51

01. Melody using B C & D notes
4:16

02. Melody using B C & D notes (performance)
0:58

03. Melody using E note
2:08

04. Melody using E note (performance)
0:46

05. Rhythm part using C chord
2:00

06. Rhythm part using C chord (performance)
0:48

07. Parka Life bars 5-8
1:57

08. Parka Life bars 5-8 (performance)
0:50

09. Summary of Indie section
0:21

01. Intro to Pieces
1:00

02. Rock City
You are here5:51

03. Rock City (performance)
0:50

04. Party People
7:20

05. Party People (performance)
0:46

06. Road to Nashville
6:08

07. Road to Nashville (performance)
0:47

08. Lead Boots
6:33

09. Lead Boots (performance)
0:49

10. Parka Life
5:01

11. Parka Life (performance)
0:43

12. Represent
5:23

13. Represent (performance)
0:46
Lesson transcript
Rock City Guitar Lesson
The first piece we're going to look at is a rock song called Rock City. Here, you can see I'm using my Les Paul.
Getting the Right Sound
- Guitar Setup:
- Turn the distortion channel on or increase the gain to achieve that heavy overdriven sound.
- Use the bridge pickup (all the way down) to get that treble, cutting through the distortion for clarity.
Playing Technique
Power Chords
- We'll be playing power chords with our first finger on the first fret.
- Using the one finger per fret method, we'll move up one fret each:
- Finger 1: Fret 2 (middle finger)
- Finger 2: Fret 3
- And so on...
Sheet Music Overview
- The sheet music has four lines, which is much longer than previous examples.
- This is why building good technique is essential; it helps improve our stamina for longer playing sessions.
Key Signature
- There is one sharp in our key signature, indicating that every F is an F sharp.
Rhythm Breakdown
- The rhythms are quite simple:
- Start with quarter notes, followed by a bar of half notes, then another bar of quarter notes, finishing on half notes.
- Notes to use:
- D String: 2nd fret (E) to open D.
- A String: 2nd fret (B) to open A.
Bar Analysis
- Bar 1: Notes played as discussed.
- Bar 2: Play G with the middle finger on the big E string, then the open E (half notes).
- Bars 3 and 4: Build up using open E to G, then A to B, finishing with two open E's (two beats each).
Lines Comparison
- Line 1: Same notes and rhythms; starting with the second fret on the D string.
- Line 2:
- Bars 1 and 2 have identical rhythms to Line 1.
- In Bar 3, there's the first rest on beat three:
- Rest, 2, Rest, Rest.
Power Chords in Action
Line 3
- Use our first finger to play power chords:
- A5 chord: Lasts for a whole note (4 beats).
- Move down to the D power chord‚ same shape, just lower (open D and 2nd fret on G).
- Use rolled finger technique; this helps transition between chords.
Transitioning Back Up
- After the D chord, return to A, holding for two beats (half notes).
- Finish on the E5 chord (open E string, rolling up to A string, 2nd fret).
Line 4: Final Comparison
- Compare Line 4 to Line 1. There's only one difference:
- In Bar 4, hold that E for a whole note instead of two half notes.
Practice Recommendations
- Work on this song one bar at a time, then one line at a time, eventually putting all four lines together.
- It's important to take it slowly and build good habits rather than rush through.
Listen and Play
- I'm going to play it now along with the backing track.
- After that, you can give it a go on your own.
- Remember, you can slow down and loop bars with your interactive music tools.
Happy practicing!
50 lessons
1h 52m of structured video lessons
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Meet your guru

Meet your guru
Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.
Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).
On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.
On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).
In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

































