Overload

Tommy Webb
Tommy Webb

Lesson time: (6min 11sec)

Joue Overload, un morceau pour groupe de rock construit sur des power chords (A5, D5, E5) et des riffs, écrit pour jammer avec basse, batterie ou piano.

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This lesson is part of the course Méthode de Guitare : Indie et Hip-Hop
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Lesson transcript:

Music Lesson: Band Pieces

Introduction

Congratulations on getting through those six pieces! We've learned six full songs in six different styles of music.

The next three pieces we have for you are band pieces. If you know anyone learning from the Rock School method (piano, bass, or drums), try to get together and jam through these last three.

We'll be learning some more riffs, more songs, and putting our skills to the test. It's going to be a lot of fun and a great way to finish.

Let's get into it!


First Piece: Overload

The first of the band pieces we're learning is Overload. This is a rock-inspired tune, so make sure you:

  • Put your amp on the distorted mode or turn the gain up.
  • Use the bridge pickup by pushing the pickup selector all the way down or all the way to the right.

Intro to Overload

The song starts off with power chords: A5, D5, and E5. We've seen these before, and we'll play these using our first finger with the finger per fret method.

  • A5 chord: Two quarter notes.
  • D5 chord: Go straight down a set of strings.
  • E5 chord: Jump over a set of strings to play the second fret on the A string.

This may take some time to get comfortable, so try going: D E, D E.

We're finishing off bar four with an A5 chord, lasting for two beats each (two half notes).

Practice the First Line

Let's give that first line a go:

Count: 1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, FOUR.


Line Two: Melody

In line two, we get into the melody. The rhythms aren't too difficult‚ quarter notes and half notes.

We're focusing on correct fingering:

  • Start with the open A string
  • Middle finger on fret three (C)
  • D going to an E (D string, 2nd fret with the first finger)
  • End with the open A string

Practice the First Two Bars of Line Two

Let's try it:

Count: 1, 2, 3, 4.
1, 2, 3, four.
1, 2, 3, FOUR.

In bar three, we start with a half note (E, 2nd fret on the D string).

Playing Sequence

  • Open D to the 3rd fret on A string (C) with the middle finger.

Finishing off this line with an open D string going to E (2nd fret) and finally playing an open A. You'll notice this phrase is the same as bar two on line two.

Complete Line Two

Here's line two:

As always, pause the video, review any bars you need to, and when you feel confident, let's play it through together.

Count: 1, 2, 3, 4.


Line Three: Continuation of the Melody

On line three, we continue our melody:

  • Bar one: Open A string twice going to G (3rd fret on the E string) and back to the A string.
  • Bar two: Open A string and C (fret three on the A string), followed by open A again.
  • Bars three and four: 2nd fret on the D string (E) for two beats, open D, then C (3rd fret on A string).

Finishing off this line with an open D string going to the 2nd fret (E) and ending with an open A. Again, this is the same phrase that finishes line two.

Practice Line Three Slowly

Here's line three really slowly to play together and get comfortable:

Count: 1, 2, 3, 4.


Line Four: Theme Continuation

Moving on to line four, the theme continues. The bottom line is similar to the first, with the final bar changing:

  • Last Bar: A5 chord for one beat followed by a quarter note and a half note rest (three beats of silence).

Important Tips

  • When playing power chords, ensure you only strum the notated strings (E and A).
  • Avoid strumming unwanted open strings to keep the chord clear.

When you're plucking, look down to avoid playing any unwanted strings, and remember:

  • The power comes from the amp and the overdrive, not from strumming harder.

Final Practice

When you've got those four lines comfortable, come and join me in the backing track, and we'll try to play this from start to finish.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more

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