Melody using whole notes

With
Tommy WebbWhat's in the course
47 lessons (1h 40m) · 1 free
01. Welcome to the Course
1:41

02. Meet Your Teacher
0:40

03. Guide to the Guitar
6:52

04. Sitting with Your Guitar (Acoustic)
3:29

05. Sitting with Your Guitar (Electric)
0:49

06. How to Tune Your Guitar
4:57

07. How to Use a Guitar Pick
2:49

08. Make Your First Sound on the Guitar
2:45

09. How to Strum a Guitar
2:02

10. How to Read Music - Tab
Free lesson1:52

11. How to Read Music - Notation
3:03

12. Note Values and Rhythm
5:08

01. Introduction to Rock riffs and melodies
1:47

02. How to get a clean fretted sound
3:19

03. Riff using the E&G notes
3:30

04. Riff using the E&G notes (performance)
1:10

05. Riff accenting the strong note
1:34

06. Riff accenting the strong note (performance)
0:58

07. Riff using half notes
1:44

08. Riff using half notes (performance)
0:50

01. Intro to Rock pt2 and my Gibson Les Paul
1:10

02. Riff combining half notes & quarter notes
1:36

03. Riff combining half notes & quarter notes (performance)
0:56

04. Melody A combining 4 notes
4:00

05. Melody A combining 4 notes (performance)
0:57

06. Melody B combining 4 notes
2:32

07. Melody B combining 4 notes (performance)
0:55

08. Rock City - bars 3&4
2:18

09. Rock City - bars 3&4 (performance)
0:58

10. Well done on the Rock section
0:17

01. Intro to the pop section and rests
1:14

02. Riff with rest on beat 3
3:36

03. Riff with rest on beat 3 (performance)
1:04

04. Riff using F note with rests
2:53

05. Riff using F note with rests (performance)
1:05

06. Melody using C note and rests
4:59

07. Melody using C note and rests (performance)
0:54

08. Summary of Pop part 1
0:55

01. What is a Fender Telecaster
1:05

02. Melody with a D note
3:51

03. Melody with a D note (performance)
1:10

04. Melody using whole notes
You are here2:34

05. Melody using whole notes (performance)
0:57

06. Riff combining note values
2:32

07. Riff combining note values (performance)
1:03

08. Party People bars 13-16
2:23

09. Party People bars 13-16 (performance)
1:22
Lesson transcript
Example 2: Whole Notes
Now we're going to look at example 2. This is our first look at whole notes. As mentioned before in the reading music section, a whole note lasts for four beats.
Understanding Whole Notes
What this means is each note will last for the whole bar. This gives us a lot of time to:
- Move our fingers
- Prepare for the next note
However, it also involves a lot of counting and timekeeping, so it has its own challenges.
Counting Practice
I suggest for now, before we play any notes, just trying to play the open E string and count to four.
Let's practice this together:
- 1, 2, 3, 4.
- 1, 2, 3, 4.
- 1, 2, 3, 4.
This may sound quite simple, but it's actually a little bit harder than you'd think.
Keeping Time
When we're busy, we know what's coming up, but when you have massive spaces in between notes, it can be hard to keep time. You might feel like you need to rush through them.
Rolling Technique
As I said, we're looking at whole notes. In example 2, we're starting off with a G3 fret on the E string. If we look ahead, we're playing a C, which is the third fret on the A string.
This gives us a chance to discuss the technique of rolling our finger.
- To get from the third fret on the E to the third on the A, I won't lift my finger fully off.
- Instead, I will roll my finger down.
You can see that action as I push up; my finger goes to the E. As I come down, it goes to the A.
Rather than lifting up every time and wasting time, we can roll our finger between the two notes.
Practice Routine
So we've got:
- G (third fret on the E string) - Count: 2, 3, 4
- Down to C (third on the A) - Count: 2, 3, 4
- To the open D (note we learned in the previous example) - Count: 2, 3, 4
- Back to the third fret on the A (C) - Count: 2, 3, 4
- Finally, back to G - Count: 2, 3, 4
Let's try that nice and slow together, noticing that my fingers don't really leave the third fret:
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
Final Tips
When we're playing this section, I'd really like you at home to count either inside your head or out loud. Make sure you're counting to four between every note, ensuring there's no guessing about when the next one comes up.
Let's give it a go!
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Meet your guru

Meet your guru
Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.
Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).
On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.
On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).
In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.












