Lesson 42 of 47GuitarBeginner

Melody using whole notes

2:34
Learn how to play a melody using whole notes. Tommy introduces a smooth finger-rolling technique for efficient transitions between notes on the fretboard.
Part of the courseGuitar Method: Rock & Pop47 lessons (1h 40m)

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What's in the course

47 lessons (1h 40m) · 1 free
    • 01. What is a Fender Telecaster

      1:05

    • 02. Melody with a D note

      3:51

    • 03. Melody with a D note (performance)

      1:10

    • 04. Melody using whole notes

      You are here

      2:34

    • 05. Melody using whole notes (performance)

      0:57

    • 06. Riff combining note values

      2:32

    • 07. Riff combining note values (performance)

      1:03

    • 08. Party People bars 13-16

      2:23

    • 09. Party People bars 13-16 (performance)

      1:22

Lesson transcript

Example 2: Whole Notes

Now we're going to look at example 2. This is our first look at whole notes. As mentioned before in the reading music section, a whole note lasts for four beats.

Understanding Whole Notes

What this means is each note will last for the whole bar. This gives us a lot of time to:

  • Move our fingers
  • Prepare for the next note

However, it also involves a lot of counting and timekeeping, so it has its own challenges.

Counting Practice

I suggest for now, before we play any notes, just trying to play the open E string and count to four.

Let's practice this together:

  • 1, 2, 3, 4.
  • 1, 2, 3, 4.
  • 1, 2, 3, 4.

This may sound quite simple, but it's actually a little bit harder than you'd think.

Keeping Time

When we're busy, we know what's coming up, but when you have massive spaces in between notes, it can be hard to keep time. You might feel like you need to rush through them.

Rolling Technique

As I said, we're looking at whole notes. In example 2, we're starting off with a G3 fret on the E string. If we look ahead, we're playing a C, which is the third fret on the A string.

This gives us a chance to discuss the technique of rolling our finger.

  • To get from the third fret on the E to the third on the A, I won't lift my finger fully off.
  • Instead, I will roll my finger down.

You can see that action as I push up; my finger goes to the E. As I come down, it goes to the A.

Rather than lifting up every time and wasting time, we can roll our finger between the two notes.

Practice Routine

So we've got:

  • G (third fret on the E string) - Count: 2, 3, 4
  • Down to C (third on the A) - Count: 2, 3, 4
  • To the open D (note we learned in the previous example) - Count: 2, 3, 4
  • Back to the third fret on the A (C) - Count: 2, 3, 4
  • Finally, back to G - Count: 2, 3, 4

Let's try that nice and slow together, noticing that my fingers don't really leave the third fret:

  • 2, 3, 4.
  • 2, 3, 4.
  • 2, 3, 4.
  • 2, 3, 4.
  • 2, 3, 4.

Final Tips

When we're playing this section, I'd really like you at home to count either inside your head or out loud. Make sure you're counting to four between every note, ensuring there's no guessing about when the next one comes up.

Let's give it a go!

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Meet your guru

Tommy Webb

Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.

Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.

On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

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