Lesson 8 of 47GuitarBeginner

Make Your First Sound on the Guitar

2:45
Learn how to make your first sounds on the guitar by playing open strings and fretted notes. Build confidence as you practice clean and clear notes.
Part of the courseGuitar Method: Rock & Pop47 lessons (1h 40m)

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Tommy WebbYour guruTommy Webb

What's in the course

47 lessons (1h 40m) · 1 free
    • 01. Welcome to the Course

      1:41

    • 02. Meet Your Teacher

      0:40

    • 03. Guide to the Guitar

      6:52

    • 04. Sitting with Your Guitar (Acoustic)

      3:29

    • 05. Sitting with Your Guitar (Electric)

      0:49

    • 06. How to Tune Your Guitar

      4:57

    • 07. How to Use a Guitar Pick

      2:49

    • 08. Make Your First Sound on the Guitar

      You are here

      2:45

    • 09. How to Strum a Guitar

      2:02

    • 10. How to Read Music - Tab

      Free lesson

      1:52

    • 11. How to Read Music - Notation

      3:03

    • 12. Note Values and Rhythm

      5:08

Lesson transcript

Making Your First Sounds on the Instrument

Let's take a look at making our first sounds on the instrument.

Playing the Thick E String

  • Let's play the thick E string, the big E string closest to our head.
  • We're going to start with it just open, meaning we're not pushing down any frets.

First Finger Exercise

Now, using our first finger, let's try to play the fifth fret.

  1. Count with me: 1, 2, 3, 4, 5.
  2. Push down on top of that string into the wood behind the fret.

As we said, we're applying a good amount of pressure, but we're not pushing down too hard. You can hear how the pitch changes of that string‚ low to high. Take some time now to practice that and move around to different frets. The higher you go, the higher the sound will become.

Understanding Pressure

If you're wondering how hard we should be pushing down the string, let's go through that together.

  • Personally, I play quite softly. That's just because I've had a lot of time with the instrument and have memorized how much pressure I need to apply.
  • When you're starting off, gripping the guitar and pushing down quite hard is normal, but it's something to watch out for.

Identifying the Right Pressure

You can hear my note ringing out clearly, and you can see my finger. There's a tiny little line in there.

  • If I play too hard, not only does the pitch change, but the line gets really deep and really long. That's not what we're looking for.
  • Similarly, if we play too soft, the note doesn't ring out at all.

So we're looking for that balance.

Practicing Pressure Control

We can practice this by starting off really soft and gradually applying the pressure until your note rings out clearly.

  • This would look something like this: It didn't take much effort for that note to ring out.
  • Only four plucks while gradually pushing down.

You can hear if I push down too hard, the note's going to change, and that's not what we want.

Finding the Right Balance

So, we're making sure we're just starting off really soft. As soon as you hear that note ringing out clearly, that's when you stop. Get used to that feeling; that's the amount of pressure you need.

Labeling Our Fingers

We're also going to label our fingers now:

  • First Finger - First finger (index)
  • Second Finger - Middle finger
  • Third Finger - Ring finger
  • Fourth Finger - Pinky finger

We'll be using these fingers to play frets. The method we'll be using in this course is one finger per fret.

  • Play the first fret with your first finger.
  • The second fret with your second finger.
  • The third fret with your third finger.
  • The fourth fret with your fourth finger.

We're going to build up to that gradually. If you can't play that just yet, don't worry‚ it's just the method we're going to use. So if you hear me saying "third finger," it means the ring finger.

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Meet your guru

Tommy Webb

Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.

Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.

On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

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