How to Use a Guitar Pick

Tommy Webb
Tommy Webb

Lesson time: (2min 49sec)

Learn how to hold and use a guitar pick for smooth strumming and picking. Master the right grip and angles to avoid dropping the pick while playing.

Course preview

This lesson is part of the course Guitar Method: Rock & Pop
Watch a preview of the full course below.

Lesson transcript:

Understanding the Pick

We also need to talk about the pick. This is what we use to pluck the strings.

Why Use a Pick?

  • We can use our fingers, but the pick is for a more rock/pop style.
  • Using a pick allows for a lot more speed.

Types of Picks

  • Picks are typically made of:
    • Plastic
    • Sometimes bone or glass

In general, we're going to be using plastic picks. You might find your picks a bit larger than mine and thinner. However, my personal preference is a short, thick pick.

How to Hold the Pick

To hold the pick:

  1. Extend your strumming hand and keep your fingers straight.
  2. Curl your fingers to create a Y shape.
  3. Place the pick into that Y shape with the tip coming out.
  4. Use your thumb to clamp down on the pick.

You can adjust the pick a little in your fingers for comfort. As a general rule, this is how we want to hold the pick.

Playing Speed and Tip Visibility

As we progress, you'll notice that the songs we learn become faster.

  • It's hard to play quickly with the pick showing a lot of your tip.
  • Aim for as small a tip as you can‚ maybe half a centimeter showing from your finger.
    • This gives you accuracy and helps prevent the pick from getting caught in the other strings.

Example

Here's an example of this concept:

  1. Large Tip: Notice how I'm getting caught up in the strings, reducing my accuracy.

    • For instance, I'm accidentally hitting the G string.
  2. Small Tip: By bringing the tip closer into my fingers and showing only a little bit, my accuracy improves significantly.

Grip and Angle

When holding the pick, remember:

  • Don't grip it too hard; just keep it in place.
  • Avoid being too loose, or you might drop the pick while strumming.
  • A medium grip is ideal, allowing you to brush through the strings without getting caught.

Angle of Attack

The angle you hit the strings is personal preference:

  • Some people play with a flat angle (the pick resting flat on the strings).
  • I find I can play faster with a slight angle.
    • This technique allows me to brush and glide off the strings rather than getting caught.

Sound Variation

When I play the guitar, I can achieve different sounds based on where I pluck the strings, similar to the guitar pickups:

  • Neck Pickups: Warmer sound (closer to the neck).
  • Bridge Pickups: More twangy and harsh sound (closer to the bridge).

Listening Example

  • Playing closer to the neck yields a rounded, mellow sound.
  • Moving closer to the bridge creates a brighter, harsher tone.

This is ultimately your personal preference, but throughout the course, I recommend playing around the middle position, as it provides the most even sound‚ somewhere in this area.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover. Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival. On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love. read more

What's included?

47 lessons (1h 40m)
Advanced video features
Mobile, tablet & desktop
100% satisfaction guarantee
View course info