Lesson 34 of 47GuitarBeginner

Riff using F note with rests

2:53
Learn a pop riff using the F note and rests to create rhythmic, punchy phrases. Tommy shares tips on muting and adding dynamic contrasts.
Part of the courseGuitar Method: Rock & Pop47 lessons (1h 40m)

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What's in the course

47 lessons (1h 40m) · 1 free
    • 01. Intro to the pop section and rests

      1:14

    • 02. Riff with rest on beat 3

      3:36

    • 03. Riff with rest on beat 3 (performance)

      1:04

    • 04. Riff using F note with rests

      You are here

      2:53

    • 05. Riff using F note with rests (performance)

      1:05

    • 06. Melody using C note and rests

      4:59

    • 07. Melody using C note and rests (performance)

      0:54

    • 08. Summary of Pop part 1

      0:55

Lesson transcript

Music Lesson: Introducing the Note F

Welcome to Example 2 of pop! Today, we'll be focusing on the note F, which is located at fret 1 on the E string.

Fingering Technique

  • Pressing Technique:
    • Push in the middle of the fret, not on the metal or in the wooden gaps.
    • You might need a bit more pressure to get it to ring out since it's closer to the nut.
    • Ensure a firm grip‚ smooth but not overly tight to avoid buzzing.

Rhythmic Structure

  • Note Patterns:
    • Every note in bars 1 to 4 is followed by a quarter note rest.
    • We'll play on beat one, pause on two, play on three, and pause on four.
    • This creates an "on, off, on, off" vibe, reminiscent of reggae rhythms.

Playing the Notes

  • Bar Breakdown:
    • Bar 1: G (third fret on the E string)
    • Bar 2: F (our new note number one on the E)

Playback Example

"I'll play you bar one and then bar two as one go."
As the pitches are simple, focus on the rhythms:

  • Count:
    • One, two, three, four.
    • One, two, three, four.

Using Palm Muting

Here's a crucial technique: with the rests after every note, we will use our palm to mute the strings.

  • Palm Muting Technique:
    • We're not slapping the guitar; just place your palm firmly but gently to kill those notes.
    • If you were to slap it, the note would continue to ring out.

Bars 3 and 4

  • We repeat the G to F transition.
  • End with G (third fret) as half notes, which last for two beats.

Slowly Through the Exercise

"I'll count out loud so we know where to play and where not to play."

  • Count:
    • One, two, three, four.
    • One, two, three, four.
    • Continue counting through the bars.

Understanding Note Duration

  • Bar 5 Comparison:
    • Listen for the difference between playing with rests and playing as half notes.
    • With half notes, you'll hear the sustain, whereas the quarter note rests create silence.

Demonstration

"I'll play you each style to compare."

  • One with quarter note rests and another with half notes.
  • Notice how the sustain gives a softer sound with half notes, while the rests offer short, sharp notes.

Practice and Conclusion

Give it a go a few times, and I'll see you in the backing track to play along with the music!

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Meet your guru

Tommy Webb

Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.

Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.

On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

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