Wie man ein Gitarrenplektrum benutzt

Tommy Webb
Tommy Webb

Lesson time: (2min 49sec)

Lerne, wie du ein Gitarrenplektrum hältst und benutzt, um sauber zu schlagen und zu zupfen. Beherrsche den richtigen Griff und die richtigen Winkel, damit dir das Plektrum beim Spielen nicht herunterfällt.

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This lesson is part of the course Gitarren-Methode: Rock & Pop
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Lesson transcript:

Understanding the Pick

We also need to talk about the pick. This is what we use to pluck the strings.

Why Use a Pick?

  • We can use our fingers, but the pick is for a more rock/pop style.
  • Using a pick allows for a lot more speed.

Types of Picks

  • Picks are typically made of:
    • Plastic
    • Sometimes bone or glass

In general, we're going to be using plastic picks. You might find your picks a bit larger than mine and thinner. However, my personal preference is a short, thick pick.

How to Hold the Pick

To hold the pick:

  1. Extend your strumming hand and keep your fingers straight.
  2. Curl your fingers to create a Y shape.
  3. Place the pick into that Y shape with the tip coming out.
  4. Use your thumb to clamp down on the pick.

You can adjust the pick a little in your fingers for comfort. As a general rule, this is how we want to hold the pick.

Playing Speed and Tip Visibility

As we progress, you'll notice that the songs we learn become faster.

  • It's hard to play quickly with the pick showing a lot of your tip.
  • Aim for as small a tip as you can‚ maybe half a centimeter showing from your finger.
    • This gives you accuracy and helps prevent the pick from getting caught in the other strings.

Example

Here's an example of this concept:

  1. Large Tip: Notice how I'm getting caught up in the strings, reducing my accuracy.

    • For instance, I'm accidentally hitting the G string.
  2. Small Tip: By bringing the tip closer into my fingers and showing only a little bit, my accuracy improves significantly.

Grip and Angle

When holding the pick, remember:

  • Don't grip it too hard; just keep it in place.
  • Avoid being too loose, or you might drop the pick while strumming.
  • A medium grip is ideal, allowing you to brush through the strings without getting caught.

Angle of Attack

The angle you hit the strings is personal preference:

  • Some people play with a flat angle (the pick resting flat on the strings).
  • I find I can play faster with a slight angle.
    • This technique allows me to brush and glide off the strings rather than getting caught.

Sound Variation

When I play the guitar, I can achieve different sounds based on where I pluck the strings, similar to the guitar pickups:

  • Neck Pickups: Warmer sound (closer to the neck).
  • Bridge Pickups: More twangy and harsh sound (closer to the bridge).

Listening Example

  • Playing closer to the neck yields a rounded, mellow sound.
  • Moving closer to the bridge creates a brighter, harsher tone.

This is ultimately your personal preference, but throughout the course, I recommend playing around the middle position, as it provides the most even sound‚ somewhere in this area.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more

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