Riff mit der Note F und Pausen
Lesson time: (2min 53sec)
Course preview
This lesson is part of the course Gitarren-Methode: Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Introducing the Note F
Welcome to Example 2 of pop! Today, we'll be focusing on the note F, which is located at fret 1 on the E string.
Fingering Technique
- Pressing Technique:
- Push in the middle of the fret, not on the metal or in the wooden gaps.
- You might need a bit more pressure to get it to ring out since it's closer to the nut.
- Ensure a firm grip‚ smooth but not overly tight to avoid buzzing.
Rhythmic Structure
- Note Patterns:
- Every note in bars 1 to 4 is followed by a quarter note rest.
- We'll play on beat one, pause on two, play on three, and pause on four.
- This creates an "on, off, on, off" vibe, reminiscent of reggae rhythms.
Playing the Notes
- Bar Breakdown:
- Bar 1: G (third fret on the E string)
- Bar 2: F (our new note number one on the E)
Playback Example
"I'll play you bar one and then bar two as one go."
As the pitches are simple, focus on the rhythms:
- Count:
- One, two, three, four.
- One, two, three, four.
Using Palm Muting
Here's a crucial technique: with the rests after every note, we will use our palm to mute the strings.
- Palm Muting Technique:
- We're not slapping the guitar; just place your palm firmly but gently to kill those notes.
- If you were to slap it, the note would continue to ring out.
Bars 3 and 4
- We repeat the G to F transition.
- End with G (third fret) as half notes, which last for two beats.
Slowly Through the Exercise
"I'll count out loud so we know where to play and where not to play."
- Count:
- One, two, three, four.
- One, two, three, four.
- Continue counting through the bars.
Understanding Note Duration
- Bar 5 Comparison:
- Listen for the difference between playing with rests and playing as half notes.
- With half notes, you'll hear the sustain, whereas the quarter note rests create silence.
Demonstration
"I'll play you each style to compare."
- One with quarter note rests and another with half notes.
- Notice how the sustain gives a softer sound with half notes, while the rests offer short, sharp notes.
Practice and Conclusion
Give it a go a few times, and I'll see you in the backing track to play along with the music!
About the instructor

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more




