Melodie mit ganzen Noten
Lesson time: (2min 34sec)
Course preview
This lesson is part of the course Gitarren-Methode: Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Example 2: Whole Notes
Now we're going to look at example 2. This is our first look at whole notes. As mentioned before in the reading music section, a whole note lasts for four beats.
Understanding Whole Notes
What this means is each note will last for the whole bar. This gives us a lot of time to:
- Move our fingers
- Prepare for the next note
However, it also involves a lot of counting and timekeeping, so it has its own challenges.
Counting Practice
I suggest for now, before we play any notes, just trying to play the open E string and count to four.
Let's practice this together:
- 1, 2, 3, 4.
- 1, 2, 3, 4.
- 1, 2, 3, 4.
This may sound quite simple, but it's actually a little bit harder than you'd think.
Keeping Time
When we're busy, we know what's coming up, but when you have massive spaces in between notes, it can be hard to keep time. You might feel like you need to rush through them.
Rolling Technique
As I said, we're looking at whole notes. In example 2, we're starting off with a G3 fret on the E string. If we look ahead, we're playing a C, which is the third fret on the A string.
This gives us a chance to discuss the technique of rolling our finger.
- To get from the third fret on the E to the third on the A, I won't lift my finger fully off.
- Instead, I will roll my finger down.
You can see that action as I push up; my finger goes to the E. As I come down, it goes to the A.
Rather than lifting up every time and wasting time, we can roll our finger between the two notes.
Practice Routine
So we've got:
- G (third fret on the E string) - Count: 2, 3, 4
- Down to C (third on the A) - Count: 2, 3, 4
- To the open D (note we learned in the previous example) - Count: 2, 3, 4
- Back to the third fret on the A (C) - Count: 2, 3, 4
- Finally, back to G - Count: 2, 3, 4
Let's try that nice and slow together, noticing that my fingers don't really leave the third fret:
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
Final Tips
When we're playing this section, I'd really like you at home to count either inside your head or out loud. Make sure you're counting to four between every note, ensuring there's no guessing about when the next one comes up.
Let's give it a go!
About the instructor

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more




