Wie du einen sauberen gegriffenen Ton erzielst

Tommy Webb
Tommy Webb

Lesson time: (3min 19sec)

Lerne mit Tommys Profi-Tipps, saubere und klare gegriffene Gitarrennoten zu spielen. Meistere die Balance zwischen Druck und Position für einen schnarrfreien Ton.

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This lesson is part of the course Gitarren-Methode: Rock & Pop
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Lesson transcript:

Rock Section: Lesson on E and G Notes

In this first example in the rock section, we're going to be using the notes E and G.

Finding the Notes

  • We found where the E was in the earlier section about finding the strings.
  • The open E string is the big top one, closest to our head.
  • For G, it will be on the third fret of that E string.

Playing the G Note

  1. Locate the Third Fret:

    • The third fret is also the first dot on the fretboard.
    • Push down on top of the string.
  2. Sound of the G Note:

    • Pushing the string into the wood gives you the note G.
    • You can hear the change in pitch, so take a second to get used to that.

Pushing Fretted Notes

  • When playing fretted notes, avoid pushing on the metal fret; instead, aim for the piece of wood in between the frets.
  • This method ensures the cleanest sound and the least amount of fret buzz.

The Balance of Pressure

  • When pushing the notes down, we want to be firm but not overly hard.
  • Tip:
    • If you push too hard, you bend the string and change the pitch.
    • If you push too softly, the note won't ring out.

Objective: Find that balance of being firm enough to push it down without squeezing so hard that you get horrible lines in your fingers.

Technique Development

In this course, we will focus on notes between the open string and the fourth fret.

Finger Placement

  • It's a good idea to use a finger per fret:
    • First fret: First finger
    • Second fret: Second finger
    • Third fret: Third finger
    • Fourth fret: Fourth finger

This technique helps us get accustomed to playing with different fingers, ultimately aiding in our speed while playing the guitar.

The Spider Scale Exercise

A great way to practice this is through the spider scale. We call it the spider scale because it looks like a spider's legs running away.

How to Play the Spider Scale

  1. Play the first fret on the high E string.
  2. Follow with the second fret, then the third, and finally the fourth.
  • For each example:
    • Use your first finger for the first fret
    • Second finger for the second fret
    • Third finger for the third fret
    • Fourth finger for the fourth fret

Reverse the Scale

  • We can then play this in reverse, which helps loosen up our hands and build good technique.
  • This is something you can keep doing throughout your guitar playing journey.

Practice Tips

  • Aim to get faster or change the variations to make it trickier as you progress.
  • For now, take it really slowly, ensuring the notes ring out nicely and clearly.

Key Reminder:

  • Avoid pushing in too hard to prevent bending the pitch of the string, which can cause the guitar to go out of tune.
  • However, if you don't push hard enough, the note won't ring out.

Suggestion: Spend some time now playing the first fret on the high E string and try to find that right pressure so the note rings out, while still remaining in tune.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more

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47 lessons (1h 40m)
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