Intro to Metal and power chords

With
Tommy WebbTommy Webb introduces metal guitar - how to dial in a high-gain distorted tone using the bridge pickup, and how to play power chords.
What's in the course
30 lessons (0h 55m) · 1 free
01. Melody using G note
3:33

02. Melody using G note (performance)
0:57

03. Melody using dotted half note
2:14

04. Melody using dotted half note (performance)
0:53

05. Melody using A note
3:59

06. Melody using A note (performance)
0:53

07. Road To Nashville bars 5-8
2:49

08. Road To Nashville bars 5-8 (performance)
1:04

01. Intro to Metal and power chords
You are here2:36

02. How to make a power chord
2:21

03. How to make a power chord (performance)
0:50

04. Riff using A5 power chord
3:07

05. Riff using A5 power chord (performance)
1:02

06. Riff using E5 & A5 power chords
1:56

07. Riff using E5 & A5 power chords (performance)
1:03

01. Riff using F# note
3:47

02. Riff using F# note (performance)
0:47

03. Riff using a key signature
2:00

04. Riff using a key signature (performance)
0:51

05. Riff combining power chords and single notes
2:07

06. Riff combining power chords and single notes (performance)
0:49

07. Lead Boots bars 13-16
3:07

08. Lead Boots bars 13-16 (performance)
0:56
Lesson transcript
Welcome to the Metal Section!
We've made it to the metal section. This is the part where we're going to start rocking out in this course.
Setting Up Your Gear
- Amp Settings:
- If you can, and if your amp has it, use lots of distortion.
- Turn the gain all the way up to get as much gain out of the amp as you can.
- This will give you that heavy rock metal sound.
You can hear a bit of that sound when I switch back to the Les Paul.
The Importance of Pickups
As I mentioned before, the pickups give it that beefier sound on your guitar.
- Bridge Pickup:
- We want to be using the bridge pickup.
- This is all the way down for a Les Paul, or if you've got a Telecaster, all the way to the right.
This setup will give you that bright sound that cuts through all the distortion. Otherwise, it may sound too muddy.
You can hear here there's no real clarity. However, when you switch to the bridge pickup, it really cuts through. That's what we need in this style of music.
Influential Metal Bands
Some big bands in this style include:
- Metallica
- Iron Maiden
- Megadeth
- And going back a few years:
- Black Sabbath
- Deep Purple
These are the bands we think of when we think of metal.
Listening Recommendation
It would be great if you could listen to some of those bands to understand:
- The kind of style we're getting into
- The sounds
- The parts
You'll notice some parts of the songs are really slow and sludgy, while others are quick and fast. That's why this style is so great to study; there's so much we can learn from it! It heavily relies on our picking hand.
Learning Power Chords
In this section, we're going to look at chords for the first time. We'll be learning some power chords, which are two-note chords.
- Six-Note Chords:
- On the guitar, you can learn chords with up to six notes in them (one note on every string).
- However, for rock metal and similar styles, we tend to use power chords, as they cut through more and are more direct and to the point.
Understanding Chord Types
- Open Chords:
- For example, playing a G chord with all six strings can make the notes get lost and muddy.
- With that amount of distortion, it can start to sound like a blur.
This is why we opt for power chords‚ they are really direct and cut through effectively.
Getting Started
We'll look at an E power chord and an A power chord in this first part of the metal section.
Hopefully, you've turned your amp up now to the distorted setting, and we can get started!
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Meet your guru

Meet your guru
Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.
Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).
On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.
On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).
In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.



















